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安迪·瑟金斯,杰森·苏戴奇斯,雷恩·威尔森,洛琳·阿什伯恩,鲁保罗,谢尔碧·杨,Flavor Flav,莉莉·辛格,查尔斯·阿德勒,阿妮塔,汉纳·盖茨比短暂的恋情
瓦莱丽亚·戈利诺,皮拉尔·福格莉亚蒂,阿德里亚诺·吉安尼尼,塞莱涅·卡拉马扎,茱莉雅·蒙萨,Cristian Stelluti逆向诱拐
苏丽珊,吴肇轩,邵仲衡,朱鉴然,梁晓丰,陈曾宁,泰臣,蒋祖曼,楊秉基,岑珈其,黄修平,王敏德,葛民辉,曾翠珊,赖恩慈,张雪芹,曾江,陈豪,邵音音,何故,黄竣锋,梁雍婷,吴良荣,袁文杰,周群达,覃恩美,古天祥,许博文花月佳期电影版
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逃离地下天堂
麦克尔·约克,理查德·乔丹,珍妮·艾加特,罗斯科·李·布朗尼,费拉·福赛特,小迈克尔·安德森,彼得·乌斯蒂诺夫,Randolph Roberts,Lara Lindsay,Gary Morgan,劳拉·海佩寂静的朋友
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碧帕莎·芭素,Imran Abbas,Bikramjeet Singh,Deepraj Rana,Mukul Dev全面营救
鲁克·高斯,罗伯特·戴维,戴维·费尔南德斯,芭芭拉·帕多,帕特里夏·德·莱昂,Luis Gatica,Jeanette Samano,Jack Carlisle,Alain Mora,Zokai Holmes,Denitza García,Jordan Simkovic,Tonya Bordeaux,Mopar Murray,Laura Martin鬼姐姐
Amphaiphun Phommapunya,Vilouna Phetmany,Tambet Tuisk,Manivanh Boulom,Yannawoutthi Chanthalungsy,Maluly Chanthalangsy,Brandon Hashimoto,Naliphone Siviengxay,Douangmany Soliphanh,Maneevone Chanthalungsy,Danouphonh Chanthakoummane,Oudomphone Pholsena,Namsoke大明嫔妃之逐鹿
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星光继承者/僵尸高校生：繁星汇聚演唱会
玛利亚·贝克,玛拉基·巴顿,凯莉·坎特罗尔,乔舒亚·科利,梅格·唐纳利《殭屍高校生》與《星光繼承者》的世界在此交會，帶來一場盛況空前的演唱會！兩部作品的卡司將首度合體登台演出。由瑪莉亞·貝克、馬拉奇·巴頓、凱莉·坎特拉爾、約書亞·科利、梅科南·奈夫、達拉·蕾妮、芙蕾雅·史凱領銜，更有瑞塔·歐拉、麥洛·曼海姆、梅格·唐納利、利亞曼尼·塞古拉等特別嘉賓驚喜現身。
真人快打2
卡尔·厄本,阿德莱恩·鲁道夫,杰西卡·麦克娜美,约什·劳森,林路迪,麦卡德·布鲁克斯,塔蒂·加布里埃,刘易斯·陈,达蒙·海瑞曼,黄经汉,浅野忠信,乔·塔斯利姆,真田广之,马丁·福特,安娜·图·阮,朱利安·威克斯,戴斯蒙·詹,黄又亮,艾萨克·普瑞斯特,CJ·布隆菲尔德过气好莱坞演员强尼·凯奇（卡尔·厄本 饰）被意外选中，加入一场决定地球命运的真人快打。吉塔娜（阿德莱恩·鲁道夫 饰）、刀锋索尼娅（杰西卡·麦克娜美 饰）、卡诺（约什·劳森 饰）、刘康（林路迪 饰）、贾克斯（麦卡德·布鲁克斯 饰）、尚宗（黄经汉 饰）、雷电（浅野忠信 饰）、避寒（乔·塔斯利姆 饰）、蝎子（真田广之 饰）等角色也将各显身手，开启血浆狂飙的格斗厮杀。
等待方舟
耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
安·李的遗嘱
阿曼达·塞弗里德,托马辛·麦肯齐,刘易斯·普尔曼,克里斯托弗·阿波特,蒂姆·布雷克·尼尔森,马修·比尔德,斯塔西·马汀,维奥拉·佩雷特约翰,斯科特·汉迪,斯科特·亚历山大·杨,杰米·博吉奥,米丽-萝丝·克若斯莉,大卫·卡勒这部电影设定在18世纪的英格兰，并“灵感来源”于真实事件，是一部关于宗教领袖安·李（Ann Lee）的“史诗寓言”，安·李是谢克教运动的创始人，且被她的追随者宣称为“女性基督”。