赤裸

6.7 播放:13万 更新:2026-06-08
主演: 多丽丝·德里/

本片探索新一代的爱情观,对白很多但不乏艾旦影视,海外影院,海外影视,海外YY,海外抢先电影,海外手机影院,海外影院APP,海外中文影视,海外影视网,海外华人影院,海外影院tv,蛋蛋电影网,海外福利影院,haiwaiyingyuan。根据导演自己的话剧《幸福》改编。

即刻观影

剧情赏析

本片探索新一代的爱情观,对白很多但不乏艾旦影视,海外影院,海外影视,海外YY,海外抢先电影,海外手机影院,海外影院APP,海外中文影视,海外影视网,海外华人影院,海外影院tv,蛋蛋电影网,海外福利影院,haiwaiyingyuan。根据导演自己的话剧《幸福》改编。

编辑推荐

旅途中的日子

沈恩敬,堤真一,河合优实,高田万作,佐野史郎,齐藤阳一郎,松浦慎一郎,足立智充,梅舟惟永,柴田贵哉,中村祐太郎,贝拉·梅

改编自柘植义春的漫画《海边的抒景》《混沌洞的笨先生》,讲述郁郁不得志的李编剧因缘际会来到一个大雪纷飞的深山中,误打误撞进入了一家破旧的旅馆。屋顶几乎被积雪压塌,旅馆的老板笨造看起来毫无干劲,旅馆里没有暖气,饭菜也马马虎虎,连床铺都得自己铺。然而,笨造似乎藏着什么秘密。某天晚上,笨造带着李踏入了夜晚雪原……

小城犯罪

奥克塔维亚·斯宾瑟,约翰·浩克斯,凯蒂·洛茨,詹姆斯·拉夫尔提,小克利夫顿·克林斯,迈克尔·瓦尔坦,安东尼·安德森,丹尼尔·逊亚塔,戴尔·迪奇,罗伯特·福斯特,巴特·约翰逊,亚当·约翰逊,唐·哈维,肖恩·卡里甘

  奥克塔维亚·斯宾瑟将携约翰·浩克斯出演独立惊悚片《小城犯罪》。电影讲述由浩克斯扮演的酗酒前警察偶然发现一具女尸,并不慎将他的家庭至于危险之中,他不得不一边寻找凶手,一边与恶势力作斗争。该片由内尔姆斯兄弟执导,目前正在拍摄中。

蹂躏

布鲁斯·邓恩,安娜贝尔·德克斯特-琼斯,埃里克·尼尔森,罗伯特·朗斯特里特,Joshua Brady,罗斯·帕特里奇,Chris Pinkalla,Drake Shannon,迈克尔·韦弗

  When a nature photographer explains to the Police how she fought her way out of the Watchatoomy Valley, they dismiss her crazed and violent story as a meth-induced nightmare. But when they discover that she's telling the truth, it's too late.

协议

贝伦·鲁埃达,米蕾娅·奥利奥,达里奥·格兰迪内蒂,安东尼奥·杜兰·莫里斯,乔斯因·本格特伊,卡鲁斯·法布雷加,瓦内萨·布查卡,塞巴斯蒂安·蒙特奇诺

  莫妮卡有個正值青春期的女兒卡拉,但一天早上卡拉卻因一場奇怪的事件而失蹤,幾個小時後被人發現時已意識不清,醫生更宣告她剩下的時間不多。莫妮卡無法接受自己的女兒已無藥可救,在極度絕望之下,參與了一場暗黑儀式,並跟一名神秘的男人訂下契約,以挽救卡拉的性命。隔天卡拉突然恢復活力,連醫生也無法解釋原因,但莫妮卡的夢魘才正要開始。

等待方舟

耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔

  Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.  Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?  n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.  What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.  On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.  One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.  Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

世界的主人

徐粹彬,张慧珍,金郑植,姜彩允,李宰锡,朴知玧,金艺昶,高旻示,白贤珠,卞重熙,文惠仁,郑恩京,李尚熙,李代延,金锡勋,林在赫

 珠仁17岁的时光,是热切投入青涩的恋爱,和好友打闹笑谈对性的好奇,替任职幼儿园校长的甩碌阿妈善后,闲时练跆拳道和做义工挥洒满身活力。某日,同学发起联署,反对出狱在即的强奸犯重回社区,只有珠仁一个不肯签名。她冲口而出的一句话,令她周遭的世界起了剧烈变化。那边厢,幼儿园小女孩身上的瘀青,不禁令人起疑.…..尹佳恩导演一向擅拍儿童,早获奉俊昊力赞为下一代大师级人马,此次探索少女内心幽微更见精准细腻,新人徐粹彬的演出展现惊人层次和魅力。看似平凡的青春日常,幻化成对创伤、韧性和连接的动人描绘,悄无声息地撼动心灵。