剧情简介
由李采潭出演，讲述四名男女之间因性爱困扰而产生秘密关系的故事
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长腿
麦卡·梦露,尼古拉斯·凯奇,布莱尔·安德伍德,艾丽西亚·维特,米歇尔·乔伊-李,达科他·道尔比,劳伦·阿卡拉,琪兰·席普卡,贾森·戴,丽莎·钱德勒,莱拉·麦金托什,卡梅尔·阿密特,沙芬·卡里姆,丹尼尔·巴孔,瓦内萨·沃尔什,斯科特·尼科尔森横跨30年的10宗灭门惨案，所有遇害家庭都有一个共通点：有一位14号生日的小女生。
新狂蟒之灾
保罗·路德,杰克·布莱克,史蒂夫·扎恩,坦迪·牛顿,艾斯·库珀,丹妮拉·曼希沃,艾农·斯凯,本·劳森,赛尔顿·梅罗,Renee Herbert,娅丝明·卡西姆,Aimee Bah,塞巴斯蒂安·瑟罗,Jack Waters,Diego Arnary,Cal Rein,Matt Aristizabal,胡依·西卡多·吉亚斯,Romeo Ellard,Reagan George为了翻拍影史经典《狂蟒之灾》，格里夫（保罗·路德 饰）和道格（杰克·布莱克 饰）成立史上最穷剧组！在唯一一条演员蛇因伤下线后，他们决定深入亚马逊雨林捉蛇补位，却意外遇上真巨蟒，原本滑稽混乱的片场瞬间沦为致命险境。在蛇口之下四处逃窜的他们，最终是会全员殒命还是顺利杀青？
绝命空间站
Julia Franz Richter,乔治·布莱顿,马克·伊瓦涅2056 - Company soldier Hannah and scientists Gavin and Dimitri are on board of RUBIKON space station researching an algae project aimed to provide humanity with a permanent supply of oxygen and food. But all of a sudden the earth beneath them disappears in a brown, toxic fog and all contacts are broken - are they the last survivors? Should they leave the safe station, risk their lives by flying back? What is worth living for, what is worth dying for?
伉俪
塔提阿娜·玛斯拉尼,罗西弗·萨瑟兰,伯克特·图尔顿,艾琳·博伊斯,泰丝·登根斯坦,克莱尔·福莱森,克里斯汀·帕克,洛根·皮尔斯,艾拉·韦杰尔,格伦·戈登,伊芙琳·伯克,吉娜·武尔塔焦,艾琳·蒂普尔一对爱侣Liz和Malcolm去到一座偏僻的小屋度假，Malcolm却因意外先回城了，留下Liz独自一人，她很快发现这座小屋有着邪恶可怕的过去，如今缠上了自己。
铁血战士：猎物
安伯·明迪桑德,达寇塔·比弗,戴恩·迪利格罗,斯托米·基普,米歇尔·史拉斯,朱利安·布莱克·安蒂洛普,斯蒂芬·马蒂亚斯,Bennett Taylor,Mike Paterson,Nelson Leis,Tymon Carter,斯凯·佩列蒂耶,Harlan Blayne Kytwayhat,Corvin Mack,塞缪尔·马蒂本片以300年前的科曼奇族为背景，讲述了一个名叫纳鲁的年轻女子的故事，她是一位凶猛且技艺高超的战士。她在大平原上一些传奇的猎人阴影下长大，所以当危险威胁到她的营地时，她要保护她的族人。当她发现自己面对的猎物是一个高度进化的外星掠食者，且拥有先进的技术武器，一场恶战开始了！
NO.1
崔宇植,张慧珍,孔升延讲述了每次吃妈妈做的家常饭时都能看到倒计时数字的河玟的故事。
等待方舟
耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.