大阿伯纳

★ 6.8 播放:87万 更新:2026-05-25
主演: Leonard/Kirtman/

艾旦影视,海外影院,海外影视,海外YY,海外抢先电影,海外手机影院,海外影院APP,海外中文影视,海外影视网,海外华人影院,海外影院tv,蛋蛋电影网,海外福利影院,haiwaiyingyuan  In this parody of the comic strip "Li'l Abner", a hillbilly named Big Abner, who is the "champion of the mountain folk", spends much of his time pleasuring the female population of the hick town in which he lives, including such hotties as Pigpen, Crazy Lay, Sady Hawkins and Ellie May.

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剧情简介

艾旦影视,海外影院,海外影视,海外YY,海外抢先电影,海外手机影院,海外影院APP,海外中文影视,海外影视网,海外华人影院,海外影院tv,蛋蛋电影网,海外福利影院,haiwaiyingyuan  In this parody of the comic strip "Li'l Abner", a hillbilly named Big Abner, who is the "champion of the mountain folk", spends much of his time pleasuring the female population of the hick town in which he lives, including such hotties as Pigpen, Crazy Lay, Sady Hawkins and Ellie May.

导演精选

泉京香不会沉默

这是系列首次以露伴的责任编辑、同时也是其得力搭档——泉京香为主人公展开的故事。这一次,京香因露伴的一句话,被卷入一场难以想象的怪异事件。本作在原作者荒木飞吕彦的协助下完成剧本创作,并由在国际上也备受关注的导演组合“5月”的关友太郎与平濑谦太朗共同执笔,推出全新原创故事。

一一

 NJ(吴念真)是个很有原则的生意人,同妻子敏敏(金燕玲)、女儿婷婷(李凯莉)、儿子洋洋(张杨洋)以及外婆住在台北某所普通公寓里。小舅子的一场麻烦婚礼过后,因为外婆突然中风昏迷,他迎来更加混乱的日子。敏敏公司、家里两头跑,时常感觉自己要被耗空;婷婷一直为外婆的中风内疚,恋爱谈到中途发现自己不过是替代品;NJ更是麻烦重重,公司面临破产,他又不愿放下别人眼里一文不值的自尊。一家人里,似乎只有洋洋没有烦恼,他平静地用照相机拍着各种人的背面,帮他们长出另一双眼睛,然而,洋洋简简单单的一句话,道出更深的悲凉。

公寓2024

  Following her mother’s death, manga artist Soriya travels to her ancestral home in Phnom Penh, with hopes of reconnecting with her distant family and using the visit as inspiration for her work. All goes well initially. Renting an apartment in Metta, a rundown Khmer Rouge-era housing complex, her visit to her maternal relatives finds her welcomed with open arms. But Soriya’s waking hours in the apartment and its surroundings are punctuated by terrifying, bloody visions, almost as though she were a conduit for horrors of the past wanting to seep into the present.  Inrasothythep Neth and Sokyou Chea’s blood-chilling psychological horror explores a personal and political past through the present, transforming a characterful space into an insidious environment. Surrounded by modern high-rises, this decrepit structure, with its brutalist architecture and peeling surfaces, is a relic from a dark period in history whose painful memories it has absorbed. In tracing Soriya’s ominous journey back to her roots, Tenement hints at a necessary reckoning with Cambodia’s political past without overplaying its historical dimension. It’s an impressive work from a woefully underrepresented national cinema.