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致命录像带99
杰西·拉图雷特,Keanush Tafreshi,Dashiell Derrickson,杰克森·凯利,泰比·迪斯金,维罗娜·布鲁,阿米娜·涅韦斯,凯利·米萨尔,Melissa Macedo,艾丽·艾恩奈兹,Isabelle Hahn,Breana Raquel,Caitlin Serros,Brittany Gandy,Logan Riley,Maurice Webster,史蒂文·奥格,Jerry Boyd,索妮雅·艾迪,Amelia Ann设定在1999年，以伪纪录片形式，聚焦那些看似普通、欢乐的家庭录像带中发现的可怕事件和“鬼影”。
灵异隧道实录
贝尔·德利亚,Andy Rodoreda,Steve Davis,卢克·阿诺德,戈兰·D·克鲁特,James Caitlin,Ben Maclaine,彼得·麦卡拉姆,Rebecca Clay,Shannon Harvey,Arianna Gusi,Russell Jeffrey,Jessica Fallico,Ben James,Peter Overton,瑞妮·林,丹·伊利克澳大利亚悉尼，新南威尔士正遭受严重的干旱，水资源短缺成为亟待解决的问题。为了应对这一情况，政府决定开发一项水资源循环利用的项目，其中包括将位于悉尼城市下方的一段废弃的铁路隧道加以利用。围绕隧道的改造和难民去向，在社会上引起了巨大争论。虽然沸沸扬扬，但是该废弃隧道的改造计划却戛然而止。与此同时，关于隧道中存在着神秘怪物的传言也愈演愈烈。 一段Youtube上流传的视频引起了女记者娜塔莎·华纳（贝尔·戴利亚 Bel Deliá 饰）的注意，她联系了几名业内的好友和同事，带着摄像器材前往隧道中一探究竟，恐怖的旅程就此拉开序幕……
全信没收
马特·达蒙,本·阿弗莱克,史蒂文·元,缇雅娜·泰勒,萨莎·卡莱,卡塔琳娜·桑地诺·莫雷诺,斯科特·阿金斯,凯尔·钱德勒,内斯特·卡博内尔,琳娜·埃斯科,辻大介,何塞·巴勃罗·坎蒂略,伊万·阿马罗·布隆,艾莉·莫雷诺,肖恩·迈克尔,克里斯·西尔维斯特里,凯瑟琳·德明,戴夫·费里尔,奇里尔·保兰一群迈阿密警察在一间废弃的藏身屋发现数百万现钞，彼此之间的信任开始瓦解。随着外部人士得知充公金额如此可观，一切变得疑点重重，到底还剩下什么可以相信？又有谁依然值得信赖？
等待方舟
耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
恶夜勒赎
费尔南多·卡约,曼努埃拉·贝列斯,阿娜·瓦格纳,德里坦·比巴平静的一天，事业小有成就的中年男子杰米（费尔南多·卡约 Fernando Cayo 饰）和妻子玛尔塔（安娜·瓦格纳 Ana Wagener 饰）、女儿伊莎（曼纽拉·维拉斯 Manuela Vellés 饰）搬入了梦寐以求的大房子内。正当一家人争论晚上该不该一起度过时，三个蒙面歹徒闯入房中。为了保护家人的安全，杰米积极配合，抄下了信用卡号码并交出手机，并随同歹徒的首领外出取钱。他时刻寻找机会报警，却不知自己所面对的是根本不会妥协的冷血恶魔。另一方面，不断有访客扣响杰米家的房门，恐慌的玛尔塔母女则想尽一切办法逃脱，似乎又让一切变得更加糟糕。 似无止境的长夜，愈加黑暗幽冷……
饮食男女1994
郎雄,杨贵媚,吴倩莲,王渝文,张艾嘉,归亚蕾,赵文瑄,陈昭荣,陈捷文,卢金城,唐语谦,洪其德,王瑞,杜满生,王玨,陈妤,左正芬,许敬民,聂卓晶,丁仲台湾中国菜硕果仅存的大师老朱（郎雄）退休后，渐尝老年生活的诸多尴尬：每周日费心做出的一桌丰盛菜肴，并无将三个女儿（杨贵媚、吴倩莲、王渝文）齐齐拉到饭桌的吸引力，已经长大成人的她们，心里藏了许多比陪父亲吃饭更重要的事；多年老友的突然离世，令他在友情这块也有了缺口；而对厨师来讲最重要的味觉的丧失，则将其彻底推到人生的低谷。三个女儿虽各忙各事，却也操心着老朱的晚年生活，计划着为其找个老伴，但她们没料到老朱早已悄无声息地谈起了“黄昏恋”。吃惊过后，老朱最看重的继承了他做菜天赋的二女儿家倩因为自身的生活经历，对父亲、她与父亲的关系有了新的认识，而对老朱来讲更大的惊喜，还在后面。