供品夫人
温柔贤良的池永秋子（谷奈绪美饰）心中藏着不堪回首的过艾旦影视,海外影院,海外影视,海外YY,海外抢先电影,海外手机影院,海外影院APP,海外中文影视,海外影视网,海外华人影院,海外影院tv,蛋蛋电影网,海外福利影院,haiwaiyingyuan。她的丈夫国贞（坂本长利饰）曾因猥亵少女而受到警方通缉，从此逃跑不知去向。数年后，秋子偶然在街上看见带着一个小女孩旅行的国贞，在祭奠亡母的时候，她被藏匿墓地的丈夫绑架。国贞将秋子带到山中的一间废弃木屋里，对其进行肆意凌辱。秋子虽不断做出反抗，却未收到任何成效。在一场异样的婚礼过后，秋子的心最终臣服于国贞。某天，国贞在山中偶然发现一对相约服药自杀的情侣。女孩阿薰（东照美饰）令他情不自禁，他将阿薰带回木屋，将其变为自己的玩物。不久，薰的男友阿洁从昏迷中醒来，找到了这里。一场狂欢飨宴随即展开
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超时空辉夜姬！
夏吉优子,永濑安奈,早见沙织,入野自由,内田雄马,松冈祯丞,青山吉能,小原好美,菲鲁兹·蓝,花江夏树,钉宫理惠“月读”是希望与梦想交会的虚拟空间，而舞台幕布将缓缓升起，见证几位少女在此谱写短暂却珍贵的相遇篇章。 不久的未来…… 东京的 17 岁高中生酒寄彩叶过着非常忙碌的生活，努力在打工和学业之间寻找平衡。她的纾压方式是观看很有人气的月见八千代直播，八千代管理名为“月读”的线上虚拟空间。 彩叶时常光顾月读，在那里可以体验不同的人生，自由挥洒创意。她就靠着支持八千代度过空闲时间，还会玩战斗游戏赚一点外快。有一天，在回家路上，彩叶发现一根电线杆闪耀着奇异光芒，没想到电线杆里竟然凭空冒出一个可爱的宝宝。彩叶没办法随手抛弃宝宝，只好把她抱回家，眼睁睁看着她迅速长成一个跟自己同龄的少女。 “你是辉耀姬吗？” 这是你绝对不曾看过的辉耀姬物语。
高空求生
威廉·鲍德温,Loris Curci,Christopher Greco,珍妮·卡斯帕,Kseniya Pinch,Zach Rose,Marianna Rosset,Diljohn Singh,Crystal WebTwo sisters living separate lives on different continents are reunited on a Mediterranean Island. The two barely have time to bond and revive family ties as Kate, the elder, meets a group of locals and agrees to an exciting ride on a hot air balloon. But disaster strikes and as the result of a freak accident, the balloon is carried far out to sea. Their cell phones out of range, and the balloon running out of gas, Kate and her friends are battling for their lives. While, back on land, the younger sister, Liz, has become an unwanted "material witness" to a crime. Matters then take a dramatic twist, one that will mark their lives forever.
这么远那么近
朴浩山,宋再临,高恩敏一位外向、人缘好的酒吧老板，虽然平日喜欢与人群为伍，内心深处却一直隐藏着对十年前逝去恋人的细腻思念。每当他遇见容貌神似她的女子，总是不自觉地驻足凝望，深陷于回忆的漩涡中。
等待方舟
耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
米奇船大屠杀
Natasha Tosini,Shayli Reagan,Lauren Leppard一名正在与毒瘾作斗争的年轻女子突然开始看到一种变异的老鼠与人类的杂交体，这种杂交体侵扰了她的生活。她周围的人开始可怕地死去…
半身死灵
大岛优子,山崎真实,萤雪次朗,阿部进之介在近代日本坊间流传着这样一个传说，名叫岛礼子的美丽少女被美国大兵轮奸，在此之后她精神失常，卧轨而死。岛礼子一缕幽魂不散，化作只有上半身的恐怖恶灵。它极端憎恶红色，每晚出没在横跨铁路的天桥上，并在路过之人背后发出“嗒卡嗒卡”的声音。一旦路人回头，它便将对方拦腰斩断。即使侥幸逃过，在接下来的72小时内也必然遭到“嗒卡嗒卡”的猎杀。 高中少女大桥可奈（大岛优子 饰）的好友绫花夜归遭遇“嗒卡嗒卡”，遇害身亡。克奈在祭拜好友时，同样见到这个恐怖恶灵，不过侥幸逃脱。然而死亡的阴影仍然笼罩在她的头上，在女大学生平山理绘（山崎真实 饰）的帮助下，她们一同出发寻找求生的办法……