甜蜜惩罚我是看守专用宠物
艾旦影视,海外影院,海外影视,海外YY,海外抢先电影,海外手机影院,海外影院APP,海外中文影视,海外影视网,海外华人影院,海外影院tv,蛋蛋电影网,海外福利影院,haiwaiyingyuan故事发生在一个近未来的监狱当中，女主角早乙女阳菜因为冤罪进入了监狱当中，而负责她的是一位大帅哥看守明神亚贵，有着冷酷的面容美林诱人的眼睛，而阳菜成为了这个看守的专属玩具，在牢里除了这个抖S看守外还有为了保护女主角而奔走的黑社会比嘉大和，阳菜本身在监狱外面还有一位男朋友八云圣德，动画中心灵和身体都被肆意玩弄的阳菜会迎来怎样的命运
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东京少女
夏帆,佐野和真,近藤芳正,秋本奈绪美,福永真梨佳《东京少年》的姊妹篇，同样以“无法有结果的恋情”为主题。 2008年的东京少女未步（夏帆 饰）的梦想是成为一名奇幻小说家，这天和母亲以及母亲的情人在餐厅用餐，对母亲准备再婚一事十分排斥的未步愤而离席。 1912年，宫田时次郎（佐野和真 饰）再次被夏目漱石退稿，缺乏生活经验的他写作出来的小说缺乏打动人心的力量。他沮丧地拿着退稿离开出版社。 突然发生地震，站立不稳的未步失手掉了手机，从楼梯坠入连接过去与未来的虫洞，被时次郎拾得。 不可思议地，相隔几近一百年的两个人，由误会到了解，渐渐情愫暗生，彼此倾诉生活中遭遇的问题，还异时空约会。但是身处未来的未步总是知道历史的发生，而当她想改变时，却发现一切只是无能为力。但是即便不能改变命运，也仍有真爱留低。
剧中计
詹姆斯·巴林顿,埃里克·格恩斯,Tom Hutch四名劇場演員在倫敦排練即將在西區上演的復仇舞台劇時，隨著彼此之間的秘密戀情逐漸曝光，參雜著才華嫉妒與愛恨糾葛。在一連串的陰謀與反擊中，原以為的盟友，竟私下已與旁人聯手陷害自己，這場角力最終將演變成致命的殺機。
利欲两心
马修·麦康纳,阿尔·帕西诺,蕾妮·罗素,阿曼德·阿山特,杰里米·皮文,杰米·金,凯文·查普曼一次偶然中，布兰登（马修·麦康纳 Matthew McConaughey 饰）发现自己竟然拥有一项如此神奇的特异功能——他能够准确预测出每周末举行的橄榄球比赛的结果。这一能力彻底扭转了布兰登失意而又颓废的生活，同时也将他卷入了金钱和利益所构造的漩涡之中。 沃特（阿尔·帕西诺 Al Pacino 饰）经营着一家体育顾问公司，布兰登的神奇能力在他的眼中无异于是一根点石成金的魔杖。野心勃勃的他找到了布兰登，千方百计的说服了后者加入了他的公司。从此，沃特的事业扶摇直上，布兰登也在沃特的身上找到了亲情和友情。但随着布兰登的能力的逐渐流逝，他和沃特之间的关系也开始了动摇。两人心中都有各自的想法，而最终的赢家只有一个。
八棺索财
喻恩泰,曹鹤阳,苏濛濛一个商业酒店因为三起离奇死亡案件被社会各界所关注，一时间流言四起，有人说这是蓄意谋杀，也有人认为纯属意外，甚至网络上有神人称酒店施工曾挖出八具棺材，地形暗合了一个叫“八棺索财”的道家阵法。记者苏莉、女网红与其老公陈宇天，两拨看似不相干的人组成奇葩小分队，一起走进诡异酒店，等着他们的，是福还是祸？
等待方舟
耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
扫恶
潘斌龙,包贝尔,赵润南,克拉拉,周大勇,郭子恒,侯浩然,于柏林,释小龙,汤镇业,九孔,常铖千禧时代质感的动作犯罪类型，奇葩刑警队长与背负杀父之仇的少年联手追缉重出江湖的杀人劫车团伙，刺激爽感中不乏社会思考和感动。