真奈 – コイビトツナギ
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十分钟2024
芭芭拉·朗奇,玛格丽塔·布伊,Fotinì Peluso每天十分钟可以改变一天的进程。十分钟做一件全新的事情可以改变一个人的一生。这就是比安卡在生存危机中会发现的。新的邂逅,发现特殊的纽带,倾听那些一直爱我们的人。有时重新开始并不需要什么,这部电影通过一个温暖而激动人心的重生故事教会了我们。
好像一切都很糟糕
Melis Sevinç,Melisa Bostancıoğlu,İbrahim Arıcı,Mert Can SevimliAyşe, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster
误色
Matthew Gilliam,Lavinia Postolache,Peter Gantenbein,Tanya Thomas,William Frederick Knight,司马优现在是2003年,国际武器核查员泰德·凯勒(马修·吉利亚姆)在美国入侵伊始就在伊拉克工作。在调查一个未被发现的武器藏匿处时,他发现了一个可疑来源的生物制剂,他很快意识到这种生物制剂已经危及他的生命。撞倒在地,他危险的轨迹与美丽的国会援助伊莲娜·波佩斯库(拉维尼娅·波波拉切)相撞,后者发现自己被自己的危险包围着。他们联合起来,被迫质疑一切,同时努力比那些希望他们沉默的人领先一步。
罗伯特玩偶的复仇
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地震之后电影版
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