我亲爱的课程
由法国探究片钕导演艾曼纽 贝尔科改编自发表于2008年因争议内容而引起全法关注的、署名为;劳拉D小姐Mademoiselle Laura D. 的同名小说。 据这位;匿名的巴黎大学现代语言专业的作者称，她不得不靠卖y-所得来支持她完成学业。19岁的大一钕生劳拉Laura（德博拉弗朗索瓦饰）一心要完成自己的大学学业，而她极不稳定的收入甚至连吃饭都成了问题 。她想到了一个无望的解决方法，被迫在一个晚上冒然地回应了互联网上的一则广告，57岁的若埃Joe（阿兰 科西饰）以一小时100欧元招标钕学生。三天后，劳拉与若埃在酒店做成了这笔交易这只是劳拉卖肉周期的开始。金钱如此傛易获得,使劳拉忘记了对这种;感情的仇恨，而只了解往信封里装满钞票。接着就一次又一次地......其实，劳拉了解她受伤的身体已经属于妓钕之身了，也想过停止这种卖肉生活，但她又靠什么来支撑自己在巴黎的生活与学业呢？何况跟她一样靠这种方法来挣钱上学的钕生那么地多......
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剧情简介
由法国探究片钕导演艾曼纽 贝尔科改编自发表于2008年因争议内容而引起全法关注的、署名为;劳拉D小姐Mademoiselle Laura D. 的同名小说。 据这位;匿名的巴黎大学现代语言专业的作者称，她不得不靠卖y-所得来支持她完成学业。19岁的大一钕生劳拉Laura（德博拉弗朗索瓦饰）一心要完成自己的大学学业，而她极不稳定的收入甚至连吃饭都成了问题 。她想到了一个无望的解决方法，被迫在一个晚上冒然地回应了互联网上的一则广告，57岁的若埃Joe（阿兰 科西饰）以一小时100欧元招标钕学生。三天后，劳拉与若埃在酒店做成了这笔交易这只是劳拉卖肉周期的开始。金钱如此傛易获得,使劳拉忘记了对这种;感情的仇恨，而只了解往信封里装满钞票。接着就一次又一次地......其实，劳拉了解她受伤的身体已经属于妓钕之身了，也想过停止这种卖肉生活，但她又靠什么来支撑自己在巴黎的生活与学业呢？何况跟她一样靠这种方法来挣钱上学的钕生那么地多......
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毒鲨
克里斯蒂娜·马斯特森,克里斯蒂娜·马斯特森,Michelle Cortés纵横四海
周润发,张国荣,钟楚红,朱江,曾江,胡枫,唐宁,邓一君侵略机器
约书亚·迪亚兹,阿兰·里奇森,丹尼斯·奎德,杰·科特尼,埃塞·莫拉雷斯,杰克·派顿,丹尼尔·韦伯,凯南·朗斯代尔,大卫·汤姆林森,史蒂芬·詹姆士,乔伊·维埃拉,杰克·莱恩,克里斯托弗·卡比,詹姆斯·博福特,Matt Testro,Victory Ndukwe,Blake Richardson,Jacob Hohua,Heather Burridge,Will Curtin童使
泷泽秀明,有冈大贵,门胁麦地下角斗士
戴拉·绍,黎唯,黎明月影杀痕
波伊德·霍布鲁克,克利欧佩特拉·科尔曼,博基姆·伍德拜因,迈克尔·C·豪尔,鲁迪·达马林加姆,Al Maini,Quincy Kirkwood,莎拉·杜格代尔,瑞秋·凯勒,Ryan Allen,托尼·纳波,Philippa Domville,托尼·克雷格,加布里埃尔·格雷厄姆,Julia Knope,默里·弗罗,大卫·麦金尼斯,德尔菲娜·鲁塞尔,胡安·卡洛斯·韦利斯,泰德·麦克马洪,爱德华·伦德尔,妮卡·埃利奥特导演精选
无情混蛋
这部动作片讲述了尼克 (Casper Van Dien) 和里克 (Sean Patrick Flanery) 这对昔日搭档的故事。他们曾是无坚不摧的杀手，直到尼克睡了里克的女朋友。多年后，一位新犯罪头目桑尼·吉尔 (Parmish Verma) 崛起，主宰了他们的犯罪世界。他们以前的老大说服他们放下恩怨，再次联手完成一桩任务，酬金为 500 万美元。尽管过去有嫌隙，为了拿到报酬，他们还是暂时搁置了分歧。然而，如果他们不想先死于内斗，就必须控制好自己的情绪。
看不见的他们
一场车祸后，林月家里怪事连连，全身冰冷的姐姐，镜子里看不见家人的身影，黑夜里爸爸窥探的双眼，每天凌晨阁楼传来的弹珠声，林月循声而上，当阁楼的门被打开，却发现里面紧锁的却是自己的遗像……
等待方舟
Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.