橋本マナミ – やさしさに包まれて

7.6 播放:21万 更新:2026-05-25
主演: 未知/

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艾旦影视,海外影院,海外影视,海外YY,海外抢先电影,海外手机影院,海外影院APP,海外中文影视,海外影视网,海外华人影院,海外影院tv,蛋蛋电影网,海外福利影院,haiwaiyingyuan橋本マナミ – やさしさに包まれて

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神来电

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  年轻的贡嘎和他的表弟巴特在一个废品场里意外发现了一个装满生锈十字架的手提箱。巴特灵机一动,决定将这些十字架改造成霓虹十字架,并逐户向第比利斯的居民推销。他们在城市郊区的漫游因此变成了一场寻找爱情与友情的冒险。

总统班底

达斯汀·霍夫曼,罗伯特·雷德福,杰克·沃登,马丁·鲍尔萨姆,哈尔·霍尔布鲁克,F·默里·亚伯拉罕,简·亚历山大,杰森·罗巴兹

 根据水门事件揭发人Carl Bernstein和Bob Woodward所写自传改编的电影。二人是《华盛顿邮报》的记者,在水门事件里,他们历尽艰辛揭开政治黑幕,人物和事件一同成为美国一段家喻户晓的历史。故事由五名盗贼开始,他们潜入水门大度行窃。本来是一桩不甚重大的刑事案件,却在Bernstein(达斯汀·霍夫曼Dustin Hoffman 饰)和Woodward(罗伯特·雷德福Robert Redford  饰)的追查下,最终撕开了一条大裂缝,矛头直指总统尼克松。从1972年到1974年,从尼克松竞选总统到尼克松连任上台,华盛顿邮报受到的压力越来越大,甚至被威胁。主编本·布莱德利站在了新闻自由和相信自己记者的这边,Bernstein和Woodward得以继续追寻事件真相,得到了重要线人“深喉”的帮助,经历了难以想象的曲折艰辛后,水门事件最终导致尼克松总统下台。

等待方舟

耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔

  Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.  Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?  n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.  What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.  On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.  One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.  Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

恶梦侦相

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昭和残侠传:唐狮子仁义

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