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奥赛罗
谢尔盖·邦达尔丘克,Irina Skobtseva,Andrei Popov奥赛罗（谢尔盖·邦达尔丘克 Sergei Bondarchuk 饰）是骁勇善战的大将军，元老的女儿苔丝狄蒙娜（伊琳娜·斯科布采娃 Irina Skobtseva 饰）爱上了他，但因为奥赛罗是一名黑人，所以两人的婚事遭到了元老的反对。不愿意就此放弃这段感情的两人决定私定终身，这个秘密被一直嫉妒奥赛罗的旗官伊阿古（安德烈·波波夫 Andrei Popov 饰）给暗中偷听到了，于是伊阿古决定破坏这段姻缘。哪知道伊阿古的捣乱反而促成了这段婚事。 伊阿古并没有善罢甘休，奥戴罗和苔丝狄蒙娜结婚之后，伊阿古通过伪造定情信物的手段开始挑拨这对夫妻之间的感情。占有欲极强的奥赛罗很快就走进了伊阿古设置的圈套之中。
她不是我妈妈
Artika Sari Devi,奥罗拉·里贝罗,阿里·菲克里,Fara Shakila,Husein Al Athas,Dian Sidik,Sita Nursanti RSD,Khiva Rayanka故事围绕一对姐弟 Vira 与 Dino 展开；在父母离异后，他们与母亲共同生活，却发现母亲逐渐“变了”。母亲痴迷使用所谓的 “ajian” 和 “rajah”（护身符或咒语）为生意带来好运，却渐渐伴随着奇怪的暴力行为与精神崩溃
蓝调之歌
休·杰克曼,凯特·哈德森,迈克尔·因佩里奥利,费舍·史蒂芬斯,詹姆斯·贝鲁什,艾拉·安德森,金·普安公主,穆斯塔法·沙基尔,Bob Roseman,杰森·华纳·史密斯,罗伯特·约翰·加拉格尔,Eva Kaminsky,Beth Malone,马特·戈尔斯基,Sean Allan Krill,T. Oliver Reid,Tom O'Keefe,鲍里斯·伦敦,Johnny Olmez,Faye Tamasa影片改编自真实故事，讲述两名时运不佳的音乐人（休·杰克曼与凯特·哈德森 饰）组成一支充满欢乐气氛的尼尔·戴门致敬乐团，证明了寻找爱情和追逐梦想永远不会太晚。
求药
何一诺,刘平,李思韵,孛玺宇,胡轶凡,孙梓屹,徐丹,王成,冯丹影片讲述父亲张释全因过失导致女儿身亡后误入邪教，试图通过求取神药救治重病儿子，在目睹妻子遭受邪教迫害后幡然醒悟，最终联合妻子揭露邪教并将其绳之以法，使儿子获得正规医疗救治的故事。
好想大声说我爱你
李先时,伍月,颜丹,博弘,任青安,史恩旗,简佳琳拳击手成祥，在北京和初恋女友娜娜一起创业奋斗，十年后，处于事业落魄低谷中的成祥创业失败又遭初恋背叛，黯然返回家乡后喜欢上同村女孩元丽。在深度相处后，成祥爱的一发不可收拾，表白元丽被拒，失落的成祥一蹶不振。得知元丽因自身困境忍痛拒绝，成祥父母与元丽设订婚谎言激励他。成祥带着家乡的特产重返北京奋斗，即将功成归乡知晓真相后，倾其所有相助元丽，只希望她过的比自己好，元丽破防，再也忍不住内心爱的悸动，大胆的表达了自己对成祥的爱，两人自此走在了一起。两人携手相伴。
好像一切都很糟糕
Melis Sevinç,Melisa Bostancıoğlu,İbrahim Arıcı,Mert Can SevimliAyşe, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster