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联合舰队司令长官:山本五十六
三船敏郎,加山雄三,司叶子,稻叶义男,土屋嘉男,平田昭彦1940年9月,德、意、日三国成立同盟。山本五十六被任命为日本联合舰队总司令,并不得不“违背自己的意愿”,接受命令对美、英、荷等国开战。1941后12月8日零时,山本五十六亲自下达了“1280”密码命令,并亲自率领部队偷袭美国珍珠港,从而对美军太平洋舰队造成重创,大胜而归。随后山本五十六建议与美国讲和,但意见未被采纳。在指挥中途岛战役时,由于战略上的重大失误,日本海军遭受惨重损失。形势陡然逆转,美军攻势如虹,日军兵败如山倒。瓜达康纳岛上有三万多名日本陆军,他们遭到了美军飞机的昼夜轰炸,陷于绝境。山本五十六派出舰队炮击美军基地,协助尚存的陆军安全撤退。1943年4月18日,山本五十六为了鼓动前线部队的士气,乘坐一架轰炸机到前线视察。没想到日军的密码被美军窃取,美军派出空军机队将山本五十六的座机击落,一代军人山本五十六就此碎尸于太平洋上空。
邪恶护士2
苍井空,Ricky Harun,Zidni Adam寂静深夜,Selly(Violenzia Jeanette 饰)、Jack(Ricky Harun 饰)、Tando(Zidni Adam 饰)三名喜好刺激的青年男女驾驶机车飞驰在公路上,突然之间,Selly的机车失控,她摔倒在地,身受重伤,昏迷不醒,Jack、Tando连忙将其送往医院。与此同时,来自日本的女孩幸子(苍井空 饰)正准备和当地的导游外出游玩,谁知却不小心用车门夹上导游的手,语言本就不同的二人也慌慌张张前往医院。不久之后,两组人马在这间有些阴森的医院内会合,隐隐约约中,一个留着长发却看不清面容的女人不时逡巡在幸子等人的周围。 对于这几个有些倒霉的青年来说,恐怖而又爆笑的夜晚正慢慢拉开序幕……
冲动2023
玛丽亚·露可安诺娃,杰拉·奇塔瓦,Daro Akimidze,Koba Akimidze,Aleksandr Cherednik,Christina Chernyavskaya,Anna Grigoryeva,Ivan Ivashov,Dmitry Khalileyev,Issa Khasatsov,斯塔亚·科莫里基-格兰科夫斯卡亚,Dmitry Khromyh,Islam Kurukov,克塞妮娅·库捷波娃,Albert Misirov,Anna Mustina,Nikolay Orlovskiy,卡里一位内向的俄罗斯父亲和十几岁的女儿住在一辆面包车里。面包车装着他们的全部生活,包括一套电影放映设备。那是他们微薄收入的来源。这对无名的父女从南到北,在他们广阔国家的极端气候中漫游。
谍杀风暴
马里奥·卡萨斯,玛蕾拉·嘉里加,路易斯·扎赫拉,诺拉·纳瓦斯,丹尼·德拉托雷,克里斯蒂安·塔潘,尼薇·德·曼迪娜,克丽丝蒂娜·乌玛尼亚,里卡多·德巴雷罗,Luisa Vides,Fabián Aguilar,Sarah Cafaro,Miguel Brocca,Luis Carlos Babestas,Noa Badía,Jhonathan Saenz,皮拉尔·戈麦斯,Roberto Mateos,Alejandro Vergara,巴勃罗·阿尔瓦雷斯四名前西班牙特工在全球不同地点同时遇刺。西班牙国家情报中心发现,数十年前他们都在哥伦比亚参与了秘密的谢纳加行动。西班牙国家情报中心最出色的特工泽塔必须追查并保护唯一的幸存者,这将是他迄今为止最危险的全球任务。哥伦比亚顶级特工阿尔法将与泽塔并肩行动,而她似乎比他更了解谢纳加行动背后的秘密。
超乎想象2
丹尼斯·奎德,阿莉尔·凯贝尔,米洛·文堤米利亚,索菲亚·斯凯尔顿,乔比·詹姆斯,特雷斯·阿德金斯,约书亚·巴塞特,安赫拉·约翰逊,杰森·伯基,Del Sable,艾比·格洛弗,萨米·戴尔,妮可儿·德伯特,兰迪·麦克道维尔Bart Millard, lead singer of MercyMe, faces a personal crisis at the peak of his success. As his world unravels, he struggles with his beliefs and inner demons while seeking a path through adversity.
好像一切都很糟糕
Melis Sevinç,Melisa Bostancıoğlu,İbrahim Arıcı,Mert Can SevimliAyşe, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster