夜晚的恋人

★ 6.6 播放:92万 更新:2026-05-24
主演: 未知/

一次邂逅。在海浪和悬崖之间。夜晚。一周后,他结婚了。多年来,她不再相信快乐。他们相遇了。他们玩。他们说话。他们想要彼此。作为礼物——无条件。就像一场舞蹈——在虚空的边缘。住一晚。只住一晚。他们唯一的夜晚艾旦影视,海外影院,海外影视,海外YY,海外抢先电影,海外手机影院,海外影院APP,海外中文影视,海外影视网,海外华人影院,海外影院tv,蛋蛋电影网,海外福利影院,haiwaiyingyuan

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剧情简介

一次邂逅。在海浪和悬崖之间。夜晚。一周后,他结婚了。多年来,她不再相信快乐。他们相遇了。他们玩。他们说话。他们想要彼此。作为礼物——无条件。就像一场舞蹈——在虚空的边缘。住一晚。只住一晚。他们唯一的夜晚艾旦影视,海外影院,海外影视,海外YY,海外抢先电影,海外手机影院,海外影院APP,海外中文影视,海外影视网,海外华人影院,海外影院tv,蛋蛋电影网,海外福利影院,haiwaiyingyuan

导演精选

鬼影2025

达尔文是一名摄影师,他发现有个神秘女人总出现在自己的照片中。当这个幽灵般的身影开始在现实生活中显现时,他的女友皮亚开始调查这个鬼魂的身份,最终发现它与一名名叫莉莉斯的前大学学生有关。当达尔文的朋友们开始陆续死亡时,皮亚怀疑这些鬼魂事件与达尔文的过去恶行有关。

血咒圣痕

冷峻英俊的查尔斯·J·克里斯芬多(置鲇龙太郎 配音)是得到梵蒂冈认证的圣职者,同时也是一名拥有强悍战斗力的独立吸血鬼赏金猎人。但他白色身份的另一面,是隐藏着无尽秘密的吸血鬼。他从不吸食献血,是一名虔诚祈祷的圣徒。不过有一个例外,那就是查尔斯的祖先强尼·雷夫罗(藤原启治 配音)。雷夫罗当初利用符咒自行堕落成一名吸血鬼,堪称所有吸血鬼的祖先。他为查尔斯提供源源不断的血液,每当查尔斯前往世界各地执行任务时,雷夫罗便以“食物”的身份随行。这次的任务有些奇怪,修女向查尔斯展示了一名神秘少女,而交换的代价便是查尔斯的主人兼食物——雷夫罗……  本片根据日本漫画家黑乃奈奈绘的同名原著改编。

等待方舟

  Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.  Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?  n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.  What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.  On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.  One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.  Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.