女教师2(2018)

巨洪

　　科幻灾难大片《巨洪》讲述了在地球被大洪水淹没前的最后一天，对人类抱有最后一丝希望的人们在淹水的公寓楼里挣扎求生的故事。

等待方舟

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

双山阻击战

　　回望历史所带来的震撼，它让我们牢记：中华儿女只要万众一心，就能抵御一切来犯之敌，就能实现屹立于世界民族之林的中国梦。

左拉传

 威廉．狄特尔执导的这部影片获得了第十届奥斯卡最佳影片等三个奖项。故事描述法国文坛巨匠左拉的一生经历，以及他为了正义而不屈不挠的精神。重点讲述他为军官德雷福克斯平反冤案时的遭遇和他不畏强权势力的正义感。保罗．茂尼和约瑟夫．史屈克劳的演出精彩令人难忘，就几场法庭辩论戏这部分而言，本片也可视为法庭电影的先锋。

灵魂摆渡之风华绝代

 近日，由北京完美建信影视出品，倪虹洁特别出演的新剧《灵魂摆渡3》曝光了剧场版《风华绝代》的两版预告。倪虹洁在剧中大胆挑战了带刺野玫瑰风格的角色。不仅身穿白裙微露大腿，还言语挑逗师傅，似是上演了一出禁忌恋情。而在另一版预告中，倪虹洁梳起“大背头”，以男装造型登场，眼尾轻挑、眼神迷离的野性风格“色诱”荧幕前的老司机。反差如此过大，网友强烈期倪虹洁上演的“双面魅力”。有着口碑和点击量双好评的《灵魂摆渡》，时隔一年终于以完结篇的形式回归荧屏。演员倪虹洁加盟《灵魂摆渡3》最受期待的剧场版《灵魂摆渡之风华绝代》，扮演了一位充满神秘色彩，而又雌雄莫变的“野玫瑰”。

老板和小可爱