私人课程

6.9 播放:70万 更新:2026-06-08

艾旦影视,海外影院,海外影视,海外YY,海外抢先电影,海外手机影院,海外影院APP,海外中文影视,海外影视网,海外华人影院,海外影院tv,蛋蛋电影网,海外福利影院,haiwaiyingyuan15-year old schoolboy Denis and the nun Clotilde fall in love with each other. During the war the two of them take shelter at an abandoned farm and live happily together until the locals start to become suspicious.

即刻观影

剧情赏析

艾旦影视,海外影院,海外影视,海外YY,海外抢先电影,海外手机影院,海外影院APP,海外中文影视,海外影视网,海外华人影院,海外影院tv,蛋蛋电影网,海外福利影院,haiwaiyingyuan15-year old schoolboy Denis and the nun Clotilde fall in love with each other. During the war the two of them take shelter at an abandoned farm and live happily together until the locals start to become suspicious.

编辑推荐

充气情人

朱可儿,王波文,邹旭峰,袁宗轩

  潘金莲(朱可儿 饰)时候,因为对前世的感情放不下,所以一直在阴间徘徊,迟迟不能转世投胎,在一次企图逃跑的时候被钟馗捉住,为了惩罚潘金莲,钟馗给了她十日的期限,让她重返人间自断执念,否则就要她魂飞魄散,哪知道在误打误撞之中,潘金莲竟然附身在了一个充气娃娃的身上,被名为武志(王波文 饰)的男子买回了家。  单纯善良的武志让潘金莲再度相信了人间有真爱,在帮助武志追求心仪的女神的同时,潘金莲渐渐爱上了他,而武志也最终明白谁才是最值得托付终身的人,两人最终心意相通,但是,十日的大限将到,留给他们的时间不多了。

火狐

克林特·伊斯特伍德,弗雷迪·琼斯,大卫·赫夫曼

  苏联在1982年开发了米格31喷气机时,全世界大为惊恐,唯一对策只有盗取这架超性能之飞机,而有能力担任此任务的就只有越战空中英雄甘德,甘德终于被说服由退休生涯中复出,接受一连串的特种训练后,前往俄国并与俄国特务数次交手,展开一场惊心动魄的激烈空战……

挑战未来3:残酷猎杀

Sue Price,蒂姆·汤默逊,诺伯特·魏塞尔

  利用《电子战场2》留下的片段和一条非常细的故事线,亚历克斯再次与1998年在非洲东部的机器人雇佣兵作战。这一次,亚历克斯发现她有20个半姐妹正在等她回到2077年。中央司令部希望亚历克斯被活捉并扫描,看看她的DNA是否比正常的DNA更强更有力。但是亚历克斯可能太苛刻了,不值得去捕捉。

那张照片里的我们

李沐,郑振永,宋柏纬

77年,范贤英(李沐 饰)是照相馆老板的女儿,她的青梅竹马李弘国(宋柏纬 饰)自小陪伴在旁,暗恋却从未说出口。某天,韩国跆拳道教练金浩熙(郑振永 饰)应青年团之邀来到中坜,走进照相馆,悄然与贤英产生情愫,也打破了原有的平静。   随着选举风暴与社会动荡席卷而来,三人的青春在微光中交错,逐渐学会如何坚持心中的信念,寻找属于自己的光亮。

下一个台风

张子枫,张伟丽,李心洁,姚晨,李晓川,蔡珩,曾慕梅,柴烨,蒋昀霖

  台风刚过的海岛之上,一只眼受伤的城市女生林沫沫(张子枫 饰),与岛上土生土长的失语女孩阿汐(张伟丽 饰)猝然相遇。当无情的风暴逐渐撕开两人隐秘哀伤的过往,两个看似另类但炽热的青春,相互慰藉,彼此支撑,用友情的力量对抗人生的台风。随着青蚵嫂(李心洁 饰)临终透露的惊天秘密和陈淑楠(姚晨 饰)的突然闯入,席卷沫沫与阿汐的下一个台风突如其来,风眼之下,望风而逃还是迎风而上?她们必须做出抉择。

好像一切都很糟糕

Melis Sevinç,Melisa Bostancıoğlu,İbrahim Arıcı,Mert Can Sevimli

Ayşe, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night.   However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements.   Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires.   源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster