嘴巴上的吻
美国大尺度艳情剧；关于艾伦大学生生活的特写，艾伦是睡觉与她的前男友，而试图忽略一个事实，即他要寻找的不仅仅是艾旦影视,海外影院,海外影视,海外YY,海外抢先电影,海外手机影院,海外影院APP,海外中文影视,海外影视网,海外华人影院,海外影院tv,蛋蛋电影网,海外福利影院,haiwaiyingyuan。她的室友，帕特里克，是没有帮助的事项，他诡秘和嫉妒行为。的小演员担任了这家温馨和幽默的电影特色与应届大学毕业生和纪录片的方式向色情图片和对话真正的面试中唯一的一员。
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编辑推荐
精灵宝可梦：幻影的霸者索罗亚克
松本梨香,大谷育江,上田祐司,丰口惠美,小樱悦子,加藤夏希,塚本高史,林原惠美,中川翔子,山寺宏一,朴璐美,间宫胡桃在风景秀丽，气候宜人的王冠市，即将举行神奇宝贝足篮世界杯比赛，届时，大批的观众和训练师会涌入此处，整个城市将会陷入一片欢乐的海洋之中。小智（松本梨香 配音）一行人正在前往王冠市的路上，旅途中，他们遇见了名为索罗亚的神秘神奇宝贝，它不仅能够幻化成人类的姿态，还能够通过心电感应和人类交流。小智和索罗亚结伴前行，哪知道王冠市竟然发生了神奇宝贝暴动事件，雷公、炎帝和水君本是城市的守护神，却不知为何向市民们发起了进攻，城市之中一片混乱景象。这一切的始作俑者是名为克林克斯（阵内孝则 配音）的企业家，而他亦是索罗亚想要寻找的同伴。
午夜之花
北川景子,森田望智,佐久间大介,渋谷龍太,涩川清彦,田中丽奈,光石研,池内博之一个生活在社会边缘的母亲永岛夏希（北川景子 饰），白天在便利店打工，晚上在小酒馆兼职，努力维持家庭的温饱，但为了实现两个孩子的梦想，她不得已走上了成为毒贩的道路。
地下室居民
玛利亚·埃沃利,Vanesa Restrepo,卡拉·雅道尔一晚，三位姊妹潛入一位參議員的家，欲偷走他透過賄賂得來的錢。進行到一半時，她們聽見地下室傳來奇怪的聲音，決定前往調查。她們發現一位看似受到殘忍虐待的女孩被綁在床上。 這個半身不遂的女孩請求她們救她，她們也決定幫她。但她們不知道的是，這個女孩並不是受到虐待，而是被一個強大的黑暗力量附身，它將打開另一個世界的大門。
骚乱俱乐部
杰西卡·布朗·芬德利,娜塔莉·多默尔,山姆·克拉弗林,道格拉斯·布斯,荷丽黛·格兰杰,马克斯·艾恩斯,萨姆·里德,汤姆·霍兰德尔,奥利·亚历山大,本·施耐泽,托尼·威,弗莱迪·福克斯,马修·比尔德,Amanda Fairbank-Hynes,泽维尔·阿特金斯 Xavier Atkins,杰克·法辛影片追随两位牛津大一新生，Miles（麦克斯·艾恩斯）以及Alistair（《饥饿游戏》男星山姆·克拉弗林），他们加入“骚乱俱乐部”（Riot Club）的过程和经历。根据电视特辑所说，骚乱俱乐部成员不到十人，都是精英中的精英，而要进入这个精英团体可不容易，随后的片段中，Alistair 就喝下了一杯，加了烟头、蠕虫等各种难以想象的恶心“佐料”的红酒。 影片改编自2010年火爆伦敦的剧作“Posh”，骚乱俱乐部的原型据说是牛津大学著名的布灵顿俱乐部（Bullingdon Club），英国许多政要，包括首相卡梅伦，伦敦市长鲍里斯·约翰逊都是其中成员。其奢华的晚宴，以及狂暴的“入会仪式”，比如在学校餐厅和寝室“打砸抢”等，也同样出名。
月球
薛景求,都敬秀,金喜爱,赵汉哲,崔炳模,Byeong-eun Park,洪承熙,赵胜渊,Gina Theresa Williamson,Laura Fitch Yang,Shim Young-Eun2029年，韩国载人飞船“探月号”出发前往月球，即将产生第二个成功登月的国家，任务备受全世界瞩目。然而“探月号”不幸遇上太阳黑子爆发所引致的太阳风暴，发生严重意外，宇航员黄善宇（都暻秀 饰）成为“探月号”的唯一幸存者。为了营救流浪月球的黄善宇，隐居小白山天文台的前载人飞船飞行总监金载国（薛景求 饰），加入了救援行动，同时韩国政府亦要求美国太空总署（NASA）的总监尹文英（金喜爱 饰）及月球门户太空站介入协助，但却一直遇上重重阻挠。载人飞船的燃料将近耗尽，氧气亦正在倒数，再加上流星雨撞击与月震，被孤立在38.4万公里以外月球上的宇航员黄善宇，个人的一小步也足以令全球人类紧张屏息，到底营救行动会如何发展？
等待方舟
耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.