马楠楠挑战高难度动作

等待方舟

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

触电2025

人到中年的车仔拥有一间网吧，但在手机游戏的冲击下，早已人气不再；三十未到的电竞选手邦少正在面对实力下滑的职业困境；单亲家庭长大的霏霏大学毕业超过五年，还未有过一份稳定工作。曾是动作巨星的八爷因为妻子阿兰出现脑退化，年过70的二人尝试利用电子游戏来锻炼大脑。一张全港电竞赛的征集海报，让想要拯救网吧的车仔决定组队。车仔、霏霏、八爷，三个新手再加上一个急于证明自己的邦少，Happy Hour电竞队正式成立。亲情、友情的羁绊化作电竞赛场的搏杀，一场不可能完成的战斗，让心怀梦想的他们不再抱憾。

毛骨悚然撞鬼经 2021特别篇

封神之双魂妲己

全片AIGC全程创制，以新国风 AI 视觉重构封神经典。影片讲述了冀州侯之女苏小妹被迫入宫和亲，却在途中遭九尾狐妖夺舍，从此与狐妖共用一具身体、形成“一体双魂”的宿命纠缠。白日里，苏小妹尚能短暂清醒，试图阻止狐妖祸乱朝纲；入夜后，狐妖则借妲己之身迷惑纣王，挑动酷刑、陷害忠良，一步步将大商推向崩塌。随着姜皇后、比干、苏全忠等人相继卷入这场人妖共体的阴谋，苏小妹在亲情、国仇与自我牺牲之间被迫抉择，而一心求仙的狐妖也在与纣王的纠缠中逐渐动摇。当天命、情爱与罪孽交织，真正的妲己究竟是谁？商朝的覆灭，是妖狐的算计，还是命运早已注定的结局？