女儿的叛逆
昔时的黄毛丫头,今朝的雲鬓shu女,弃夫,从父 hellip; hellip;Jane Birkin 珍 middot;馬洛里 middot;柏金饰演畸恋亲父的成年女儿Anne 成家有年的安厌弃了婚姻，离开丈夫回到了娘艾旦影视,海外影院,海外影视,海外YY,海外抢先电影,海外手机影院,海外影院APP,海外中文影视,海外影视网,海外华人影院,海外影院tv,蛋蛋电影网,海外福利影院,haiwaiyingyuan。父母无恙。而在激情和嫉妒中，安深深地混进了父亲私人情感的浊流。 nbsp; nbsp; nbsp;一个陷入深度抑郁的年轻女子离开了丈夫，回到了父母身边。她发现她的父亲有外遇，她嫉妒父亲的情妇，试图用自己特殊的方式改变父亲 hellip; hellip;
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热门影视 大家都在看
黑神驹
凯利·雷诺,米基·鲁尼,特瑞·加尔,克拉伦斯·缪斯,霍伊特·阿克斯顿失真的画
威廉·达福,斯科特·斯比德曼,彼得·斯特曼,克里·杜瓦尔,Samantha MacIvor公寓管理员
帕特里克·约翰·弗吕格,方·基默,路易莎·克劳瑟,保罗·本-维克托,尤尔·瓦斯克斯,梅丽莎·博洛纳,金·迪莱克特,阿曼达·沃伦,斯坦·德米多夫,卢克·爱德华兹,艾丽克斯·埃索,Mattea Conforti,泰勒·理查森,Andrea Lynn Green,Travaris Spears,奥基里特·奥诺多瓦罗格河
米歇尔·佩吉,Art Alexakis,克里斯·科伊,迈克尔·库立兹,卢辛达·珍妮玩具熊的五夜后宫：紫色的泪
Bomber Hurley Smith女士优先
萨莎·拜伦·科恩,裴淳华,汤姆·戴维斯,艾米莉·莫迪默,韦鲁切·欧皮亚,查尔斯·丹斯,费奥纳·肖,理查德·E·格兰特,雷德·滕南特,凯瑟琳·亨特,卡迪夫·克尔万,比尔·帕特森,保罗·查希迪,乔丹·梅特卡夫,丹尼·艾肖克,达妮·莫斯里,梅狄·莱斯,罗恩·库克,黛博拉·芬德莱,玛雅·西蒙森,爱丽丝·布里塔因,埃米·格莱德希尔,汤姆·斯托顿同类推荐
誓不遗忘
帕斯·贝加,西蒙·贝克,肯·戴维蒂安,科洛·莫瑞兹帕兹和西蒙是一对夫妇，他们与西蒙的女儿生活在一个小镇上。西蒙是一支女子足球队的教练。一个偶然的机会，西蒙的女儿在踢球时发现有人正在进行宗教仪式。她走近并拿走了一个器物，然而不久之后，女儿神秘失踪了。西蒙和帕兹非常担心女儿的安危，他们四处打听消息，而西蒙尤为焦急。为了找到女儿，帕兹一方面为她祈祷，一方面寻求灵媒的协助。通过与西蒙的接触，灵媒得以看到一些景象：一个男人被两个人杀害，小女孩藏在床底下，倒立的十字架，红色窗帘覆盖在尸体上。 西蒙听到这些描述感到震惊和恐惧，他急不可耐地与久未联系的母亲取得联系，希望她能帮忙打听消息。帕兹的表哥在警局工作，他虽然知道FBI已经接手此案，但仍愿意协助打听消息。于是，西蒙和表哥一起前往人员繁忙的红灯区。就在他们与负责该区域的警官交谈时，一个妓女认出了西蒙，但叫他罗伯特。西蒙坚称她认错了人，妓女于是在纸巾上写下一行字，邀请他私下交谈。当晚，西蒙前往约定地点，但发现妓女已被杀。
极限审判
克里斯·帕拉特,丽贝卡·弗格森,卡莉·瑞斯,安娜贝尔·沃利斯,克里斯·沙利文,凯莱·罗杰斯,杰夫·皮埃尔,拉菲·格拉沃恩,肯尼斯·崔,杰米·麦克布莱德,罗斯·格斯拉,马克·达内里,海顿·道尔顿,迈克尔·C·马洪,诺亚·费恩利,库里·普拉特,杰·杰克逊,马哈茂德·马哈茂德,安雅·阿克斯丁,理查德·赛特伦警探雷文（克里斯·帕拉特 饰）突遭指控，陷入杀妻疑云，被推上由AI判官裁决的审判席。90分钟倒计时启动，他必须借助AI“天眼”系统，在海量数据中寻找翻盘证据，推翻指向自己的致命结论，否则将被当庭处死。然而，调查越深入，嫌疑人越多，数据却不断自我验证、层层锁死真相。当算法 构成无法破解的死局，人类还能否挣脱系统的最终裁决?
有朵云像你
屈楚萧,王子文,王皓,何蓝逗,黄毅,陈庭煜,吴彦姝,牛犇,余嘉诚随着雨季的临近，人已埋、户已销的秦天（屈楚萧 饰）居然“重生”归来，给了老婆萧凡（王子文 饰）一个大大的惊喜，也给了周围人猝不及防的惊吓。面对这个记忆被清零，却年轻八岁拥有八块腹肌的“小奶狗”模样的秦天，萧凡决定先撩为敬。两人在日复一日的甜蜜互动中，曾经紧密相连的心也再度同频。这场奇迹似乎给了他们一次重新书写爱情的机会，倘若可以的话，真希望时间定格，雨不要停……
连环杀手芬斯特
Amanda Evans,布里顿·韦伯,布赖恩·安东尼·威尔逊A journalist who writes about a notorious serial killer, Finster, leaves the city for a more peaceful life but soon learns violence has no boundaries.
等待方舟
耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.