在睡梦中成为邻居目标的已婚女性
一位邻居透过窗户窥探到一位看似熟睡的妇艾旦影视,海外影院,海外影视,海外YY,海外抢先电影,海外手机影院,海外影院APP,海外中文影视,海外影视网,海外华人影院,海外影院tv,蛋蛋电影网,海外福利影院,haiwaiyingyuan。他偷偷从窗户溜进来，趁她熟睡时开始抚摸她的身体。这位已婚妇女被这一反应惊醒，在恐惧和惊慌中说不出话来，被迫犯下了罪行......
剧情简介
一位邻居透过窗户窥探到一位看似熟睡的妇艾旦影视,海外影院,海外影视,海外YY,海外抢先电影,海外手机影院,海外影院APP,海外中文影视,海外影视网,海外华人影院,海外影院tv,蛋蛋电影网,海外福利影院,haiwaiyingyuan。他偷偷从窗户溜进来，趁她熟睡时开始抚摸她的身体。这位已婚妇女被这一反应惊醒，在恐惧和惊慌中说不出话来，被迫犯下了罪行......
为你推荐
吊人游戏
阿尔·帕西诺,布兰特妮·斯诺,莎拉·夏希,卡尔·厄本,乔·安德森,杰梅因·里弗斯,谢勒·拉莫斯,迈克尔·帕帕约翰,斯蒂芬·考特尔,欧德莎·雷,朱尔斯·黑文,薇薇安娜·查维斯,马特·默丘里奥,迈克尔·罗斯,德韦恩·博伊德,斯洛恩·沃伦,乔恩·亚瑟侦探雷·阿切尔(阿尔·帕西诺饰)和他的搭档威尔(卡尔·厄本饰)联手追捕城市中最臭名昭著的连环杀手。而这名令人闻风丧胆的连环杀手实则用“Hangman ”(上吊的人)的猜词游戏犯案。
暗黑新娘！
杰西·巴克利,克里斯蒂安·贝尔,彼得·萨斯加德,安妮特·贝宁,杰克·吉伦哈尔,佩内洛普·克鲁兹,约翰·马加罗,珍妮·柏林,路易斯·坎瑟米,马修·马希尔,朱莉安·浩夫,威廉·希尔,斯蒂芬妮·特洛亚克,马西尔·摩丹,马科·查卡,莉迪亚·凯莉,索菲娅·科,本·格林,伊莲·阿普鲁泽西,安东尼·贝里尼孤独的科学怪人弗兰肯斯坦（克里斯蒂安·贝尔 饰）来到了1930年代的芝加哥，恳请顶级科学家尤弗洛尼斯博士（安妮特·贝宁 饰）为他创造一位伴侣。两人成功复活了一名被谋杀的年轻女子，“新娘”（杰西·巴克利 饰）就此诞生。然而事态发展却远超两人想象：谋杀接踵而至，占有欲疯狂滋生，新娘能否挣脱“被创造”的命运？在暗黑混沌的逃亡路上，一场女性觉醒风暴开始席卷整个世界。
无处单身
马蒂尔德·吉奥尼,克里斯蒂亚诺·卡卡莫,阿曼达·卡帕那,马可·科奇,塞奇莉亚·达齐,塞巴斯蒂亚诺·皮加齐,Margherita Rebeggiani,贝博·斯托蒂在一个田园诗般的托斯卡纳小镇，基安蒂的贝尔维德，所有的女人都结婚了，或者在寻找完美的丈夫，除了经营勒朱焦莱葡萄园的单身母亲Elisa。一位多年不见的儿时好友回到小镇，让她的生活天翻地覆，唤醒了她以为已经永远消失的感觉。
海底军舰
高岛忠夫,中村哲,藤山阳子,藤木悠,佐原健二,上原谦,小泉博,田崎润,田岛义文,平田昭彦本多猪四郎監督 １９６３年／９４分／カラー／３５ミリ／東宝 出演：高島忠夫、小林哲子、田崎潤 世界征服を狙うムウ帝国の野望を阻むべく、旧日本海軍が極秘に建造を進めていた海底軍艦が水中・空中・地中を進む。海底軍艦はムウ帝国の守護神マンダをうち破り遂に心臓部に到達する！壊滅したムウ帝国の女王の行動も感動的で何度見ても見飽きない不滅のＳＦ映画。
捏造
绫野刚,柴崎幸,龟梨和也,木村文乃,大仓孝二,迫田孝也,光石研,北村一辉,小林薰2003年，福冈市的一所市立小学，发生了一起老师欺凌学生的恶性事件。一名男性教师以种族歧视为由，对“有美国人血统”的四年级学生处处找碴，施行恶毒的语言暴力和残酷的体罚。该学生的家长对教师提起民事诉讼，550名律师自发组成原告律师团。福冈市教育委员会也对教师做出了停职处罚。行为如此恶劣的教师堪称罕见，经《周刊文春》《朝日新闻》等主流媒体报导，引起轩然大波，涉案教师被冠上“史上最恶劣的‘杀人教师’”的名号；但欺凌事件真的发生了吗？随着调查的深入，事件发生了惊人的逆转…… 影片改编自记者福田真澄2007年出版的一本书，名为《捏造：福冈“杀人老师”的真相》。
麦哲伦
盖尔·加西亚·贝纳尔,达里奥·亚斯贝克·贝纳尔,拉斐尔·莫雷斯,托马斯·阿尔韦斯,保罗·卡拉特雷,罗尼·拉扎罗,Rafa Siguion-Reyna,Ivo Arroja,麦克斯·格罗斯·马延奇,Roger Alan Koza,奉·卡布雷拉,Hazel Orencio,Daniel Palisa,瓦尔德马尔·桑托斯,Ângela Ramos,Yvanne Evangelista,Rubén Carballés,Elisabete Pedreira,Sasa Cabalquinto,Amado Arjay麦哲伦是一位航海家，他秉持人道主义精神和对正义的信仰，反抗国王的权力。然而，当他最终掌管香料舰队，完成首次环球航行后，他的旅程又将如何揭开他自身的谜团呢？
等待方舟
耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.