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详细简介
热门影视 大家都在看
四川好女人
何苇杭,赵若冰余下的就是沉默
马鲁斯·弗瑞尔·维扎德,奥维度·尼库勒斯库,米莱拉·泽塔,米哈伊·格鲁亚·桑杜,瓦伦丁·波佩斯库,尼库·米霍奇,西尔维乌·比瑞斯鬼们之蝴蝶大厦
尹馨,曹佑宁,冯淬帆,白润音,蔡振南,庄凯勋,安心亚,曾莞婷甜蜜与卑微
西恩·潘,萨曼莎·莫顿,Dan Moran,乌玛·瑟曼,Brian Markinson杀出银河系
Edward Albert灰色女士
埃里克·迪恩,Natalie Zea,Amy Madigan,艾德里安·莱斯特,Carolyn Stotesbery,Chris Meyer,Rebecca Gayheart,Jimmy Cummings,Laila Robins同类推荐
恐怖故事3：火星来的少女
任瑟雍,景收真,朴正民,洪恩熙由连续并相互构陷的恐怖元素和花絮构成。此次《恐怖故事3》跨越时间将故事呈现，“过去”设置在恐怖故事“狐狸窟”，“现在”聚焦在路怒症Road Rage，“未来”段落围绕人工智能“机械力”。向观众展现不同的元素，释放不同恐怖刺激时本片的内容和目标。
霍去病：封狼居胥
本片为全流程AIGC打造的史诗古装历史影片，影片聚焦少年战神霍去病传奇一生，从少年从军、勇冠三军，到驰骋漠北、千里奔袭，一路横扫匈奴、破关斩将，演绎封狼居胥、禅于姑衍的千古封神壮举。少年傲气、家国情怀、沙场铁血、君臣知己、大漠豪情交织，再现大汉铁骑的锋芒与华夏少年将军的绝代风骨。
情感价值
雷娜特·赖因斯夫,斯特兰·斯卡斯加德,英加·伊布斯多特·莉莉亚斯,艾丽·范宁,安德斯·丹尼尔森·李,加斯帕·克里斯滕森,莱娜·恩卓,科里·迈克尔·史密斯,凯瑟琳·科恩,Andreas Stoltenberg Granerud,Øyvind Hesjedal Loven,拉斯·瓦林格,Ida Marianne Vassbotn Klasson,Vilde Søyland,Sigrid Lorentzen Abelsnes,Mari Strand Ferstad,Eiril Tormodsdatter Sol姐妹Nora和Agnes与疏远的父亲——魅力非凡的导演Gustav重聚。这位昔日名导试图让舞台剧演员Nora参演自己寄予厚望的复出之作，却遭女儿拒绝。Nora很快发现，父亲已将她的角色转给了一位野心勃勃的好莱坞新星。突如其来的变故迫使两姐妹直面与父亲的复杂纠葛，而这位美国明星的加入，更让本就微妙的家庭关系陷入新的波澜。
等待方舟
耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
邀请函
娜塔莉·伊曼纽尔,托马斯·多赫蒂,斯蒂芬妮·科内柳森,阿拉娜·博登,西恩·帕特维,休·斯金纳,维拉格·巴拉尼,考特尼·泰勒,卡塔·萨博,伊丽莎白·康塞尔,斯科特·亚历山大·杨,杰瑞米·惠勒,卡罗尔·安·克劳馥,克里斯蒂娜·格蕾丝·萨尔科该片故事灵感来自于布莱姆·斯托克的经典小说《德古拉》，是一部当代恐怖惊悚片，讲述一个年轻女子因被追求而变得神魂颠倒，但她意识到，一个哥特式的阴谋正在发生。