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四人新世界
董骠,吕方,黄韵诗,吴雪雯,秦沛,吴启华,邵国华飞叔移民到加拿大与儿子哈哈一起生活。在飞机上认识了一位来自大陆的黄艳秋，并有意撮合艳秋和哈哈，飞叔与艳秋的姨妈是一对欢喜冤家，艳秋和一个富家花花公子一起，哈哈很沮丧，飞叔鼓励儿子向艳秋表白。哈哈买下一块地，想转头赚钱，但买家临时改变主意，令哈哈欠下一笔钱，飞叔、姨妈、哈哈、艳秋开始了四人新世界……
生人活祭
艾米·西米茨,凯特·林恩·希尔,乔·斯万博格,AJ·鲍恩,Kentucker Audley媒体从业人员帕特里克·卡特（肯塔克尔·德利 Kentucker Audley 饰）意外联系到了失踪许久的姐姐卡罗琳（艾米·西米茨 Amy Seimetz 饰）。卡罗琳当初曾在戒毒所治疗，如今住进了一个名为“圣伊甸园”的地方，并自称过上了乌托邦般的生活。为了弄清姐姐的下落，帕特里克和同事兼好友山姆·特纳（AJ·鲍恩 AJ Bowen 饰）、杰克·威廉姆斯（乔·斯万博格 Joe Swanberg 饰）启程前往圣伊甸园的所在地调查。这座乐园位于一个鲜为人知的隐秘所在，许许多多生活中经历痛苦和坎坷的人们，在“父亲”（吉恩·琼斯 Gene Jones 饰）的感召和抚慰下重获新生。 出于媒体人的敏感，山姆取得了和“父亲”对谈的机会，但他却从对方幽默机智的谈吐中嗅到了一丝杀气……
大怪兽巴朗
野村浩三,園田あゆみ,千田是也,平田昭彦,村上冬树,土屋嘉男科学万能の現代、だが未だ地球上には解明できぬ謎が残されている……。東北地方に、婆羅陀魏山神という神をまつる村があった。訪れた調査隊はそこで生ける神・バラダキを目撃する。それは湖に棲息する中生代の恐竜・バランであった。急遽出動した自衛隊の攻撃を逃れ、バランは空へと舞い上がる。やがて姿を現したバランは、浦賀水道から東京上陸を狙う。３６ミリ機関砲さえ跳ね返すバランに対し、自衛隊はダイナマイトの２０倍もの威力を誇る特殊火薬をもって対抗するが……。ミニチュアワークは相変わらず冴えているが、“未知の謎”を主題にしているわりにはストーリーが平板。冒頭からバランの全身を出し、その破壊力の描写に終始している感がある。資料によっては「東洋の怪物」のサブタイトルも見受けられるが、フィルム・クレジット上には存在しない。
堵车
吴镇宇,倪大红,吕丽萍,孙海英,陈志朋,吴俊余,葛思然,巴哈古丽《堵车》是一部集爱情、动作、奇幻、悬疑和黑色幽默于一体的都市电影，由一起堵车事件道出了贩毒者罗生门（吴镇宇 饰）、发条（陈志朋 饰）、一休（吴俊余 饰）、橙子（巴哈古丽 饰）等一群“堵心”人之间的命运交织，讲述了一个悬念迭起、凄美苍凉的故事。《堵车》——由堵心而生。 三年前，“富二代”发条、先天心脏病患者一休和制毒贩毒者罗生门三个人同时都爱上了少女橙子。 三年后，又为了同一个目标，所有人的命运再次交织在一起。 “∩”型摩天大楼就是罗生门的终点，是天堂的大门，也是宿命的象征。在荆轲的枪口下，罗生门用绿藻酒结束了自己的生命。手机视频中，发条生命垂危，说：如果我死了，请把我的心脏移植给一休。完成了橙子的愿望，也表达他对橙子的爱。
等待方舟
耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
诅咒之刃
A large villa belonging to a collector that is about to be restored into a museum traps project workers who are carrying out a survey. A curse is released, killing the humans inside one by one
地面之下
Eric Abercrombie,Mira Antonova,Joseph Canales某座美军废弃的地下工业基地，数年前因一系列恐怖事件而关闭。而今，无所畏惧的时尚男女在这里开启狂欢派对，纵情享乐之际全然不知危险将近。马特（Ross Thomas 饰）、米拉（Sofia Pernas 饰）、艾瑞克（Jeff D'Agostino 饰）、詹娜（Christine Evangelista 饰）、伊芙和斯托姆（Adrian R'Mante 饰）等六名好友在派对高潮和另一伙人发生矛盾，冲突过后，他们仓皇躲入一座地下设施内，结果却被对方反锁在里面。少顷曲终人散，马特他们遇见另外两个在此欢爱的男女。他们结伴寻找逃出去的路，谁知竟遭遇了恐怖嗜血的可怕生物。黑暗寒冷的地下，魔鬼的盛宴拉开序幕……