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艾旦影视,海外影院,海外影视,海外YY,海外抢先电影,海外手机影院,海外影院APP,海外中文影视,海外影视网,海外华人影院,海外影院tv,蛋蛋电影网,海外福利影院,haiwaiyingyuan[嗲囡囡FEILIN] 写真集系列鉴赏
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热门影视 大家都在看
上身
田牧童,刘述,郭星显,黄伊伊,周炎行动倒数
凯尔西·周,芬·维特洛克,丹尼尔·弗朗西斯,迪伦·比姆,Skye Little Wing Dimov Saw非法入侵
尼古拉斯·凯奇,妮可·基德曼,本·门德尔森,丽亚娜·莱伯拉托,凯姆·吉甘戴,乔丹娜·斯皮罗,达什·米霍克,艾米丽·梅德,尼可·托托雷拉复仇的暗夜
Arya Saloka,Bront Palarae,Marissa Anita乌鸦2024
比尔·斯卡斯加德,小枝女孩,丹尼·赫斯顿,约瑟特·西蒙,劳拉·布林,塞米·鲍亚吉拉,卡雷尔·多布雷,乔丹·博尔格,锡巴斯琴·奥罗兹科,戴维·鲍尔斯,Trigga, 桑巴·戈尔丁,伊莎贝拉·魏,乔丹·哈吉,杜卡金·波德里马吉二十
金宇彬,李俊昊,姜河那,郑素敏,李侑菲,闵孝琳,郑珠妍同类推荐
愚者的身份
北村匠海,绫野刚,林裕太,山下美月,矢本悠马,木南晴夏在社交网络上伪装女性，用话术诱骗无亲无故的男性套取个人信息，从事户籍买卖的拓也（北村匠海 饰）和守（林裕太 饰），自幼在恶劣环境中长大，不知不觉已成为黑道组织的爪牙。 尽管涉足灰色产业，这两个时常插科打诨的年轻人，本质上只是普通的都市青年，彼此相依为命。当拓也在黑道引路人、犹如兄长般存在的梶谷（绫野刚 饰）的协助下，决心与守一同逃离这个黑暗世界时，等待他们的却是......
嗜血之夜
Nate Dushku,Samantha Facchi,Danielle Harris一群十几岁的少年庆祝一个本地连环杀人犯的忌日，突然发现他们自己与这个困扰的城市传说的现实面对面。
异形帝国
詹姆斯·肯恩,曼迪·帕廷金,特伦斯·斯坦普,皮特·杰森,杰夫·科伯,托尼·佩雷斯,布莱恩·汤普森,弗朗西斯·X.麦卡蒂,基内·扬,阿尔·伯恩,弗兰克·考利森,汤姆·莫尔加,亚历克·吉利斯,林凡 ,贾斯珀·科尔,Roger Aaron Brown,Don Hood,Edgar Small,Harri James,Brian Lando,Regis Parton,Jessica James,Clarence Landry,George Robotham,James De Closs故事背景是未来世界的洛杉矶，此时已有三十万的外星人劳工移民进入美国，跟地球人打成一片。地球刑警塞克斯的搭档惨遭杀害，为了找出真凶，他只有接受外星族警察法兰西斯作为新搭档。在追查真相过程中，两个不同种类的刑警逐渐消除了对彼此的不信任，以及克服在不同种族查案时遇到的阻碍，合力对付主要的嫌疑犯——不怀好意的地球企业家泰伦斯·史丹普。
多诺万的脑袋
刘·艾尔斯,吉恩·埃文斯,南茜·戴维斯,斯蒂夫·布罗狄一个诚实的科学家把死去的百万富翁(多诺万饰)的大脑保存在水箱里。多诺万成功地把他强大的意志强加给这位科学家，并利用他来谋杀他的敌人。
等待方舟
耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.