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华莱士·比里,切斯特·莫里斯,罗伯特·蒙哥马利别告诉妈妈保姆死了
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新万圣节2
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英雄无声
牛丽燕,刘旭该片由四个单元组成,分别是《军属》《遗嘱》《抉择》《生命大接力》。《军属》讲述解放军军官侯泽刚率队到国外执行维和任务后,他怀孕即将分娩的妻子吴秀芬查出患癌症,腹中的二孩刚出生就夭折,吴秀芬对丈夫隐瞒实情,顽强地抗击病魔和抚养7岁的大儿子,让丈夫在国外安心执行维和任务的故事;《遗嘱》讲述双拥模范许大周一家几十年如一日祭奠革命烈士的故事;《抉择》讲述双拥模范郑尚德一家三代人守护烈士陵园几十年的故事;《生命大接力》讲述县武装部政委边文军救助受重伤生命垂危的贫困女孩小刘梅的故事。
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埃里克·朱多尔,朗齐·贝迪亚,乔纳森·朗贝尔,Vincent Belorgey,Sebastian Akchoté,Laurent Nicolas,Sébastien Tellier,Alain Gendreau,Mark Latrémouille,Marie-Claude Michaud,雨果林·什维特·兰黛斯科,Caroline Bernard,Steve BarryGeorge is the scapegoat of his classmates. One day he cracks and shoots them. His best and only friend Blaise is accused in his place and sentenced to 7 years in a psychiatric hospital. At the day of his release, Blaise realizes he only has one family: his best friend George. But he does not want to hear about his childhood friend, as he tries to integrate with the "Chivers" a gang whose members wear red jackets and boots, drink milk, drive sport trucks and play an incomprehensible and violent game that mixes cricket and mental arithmetic.
沉默的舰队2
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好像一切都很糟糕
Melis Sevinç,Melisa Bostancıoğlu,İbrahim Arıcı,Mert Can SevimliAyşe, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster