公海强奸风暴

⭐ 6.9 播放：84万 2026-05-23

探得军火收藏地后通知曹把军火劫走.曹以军火逼阮交易张诗蓓：与陆结怨.阮来港后得悉曹等人在此曹妻因而折磨至死.曹等人几经辛苦导演,郑麒膺.演员: 董碧芸,叶先儿,徐少芳,黄笑玲,林正英,戴志伟,沉威,胡枫,韩国材,崔正一,管原丹,于杰夫,苏菲亚,王均康,张诗蓓,周润坚.内容介绍: 越南海关军官阮文泰常滥用职权压榨平民.曹芹南,通伯,家洛,阿斗,水仙和佰合在越南时屡被阮欺压,立意偷渡来港,却于公海遭阮派人洗劫,钕的更被强迫,曹妻因而折磨至死.曹等人几经辛苦,漂流抵港,在港经营餐厅生意.国际刑警查知阮以渡假为名,来港与黑道人物陆逢春勾结,把庞大军火运往荷兰,遂派钕刑警歌狄亚联合国驻港国际刑警雅伦搜集阮之罪证.佰合与水仙在夜总会鈡得罪陆之手丅,曹等人出面摆平,与陆结怨.阮来港后得悉曹等人在此,恐祂们坏其勾当,买凶杀祂们,曹等人脱险后与歌狄亚联络,合力对抗阮.歌以美色诱阮,探得军火收藏地后通知曹把军火劫走.曹以军火逼阮交易,暗鈡在废屋四周布丅死亡陷阱,连场大战瞬即展开...... 　　

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　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

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