即刻观影
剧情赏析
编辑推荐
15点17分，启程巴黎
斯宾塞·斯通,安东尼·萨德勒,亚历克·斯卡拉托斯,朱迪·格雷尔,珍娜·费舍,贾里尔·怀特,托马斯·列农,托尼·海尔,P·J·伯恩,布莱斯·吉扎尔,斯蒂芬·考特尔,罗伯特·普拉尔戈,加里·维克斯影片源自真实事件，讲述2015年8月一列从阿姆斯特丹开往巴黎的高速列车上发生了恐怖袭击事件，三位美国士兵挺身而出将歹徒制服的故事，电影将根据三位当事人的回忆录改编。
浴血蒋家河口
任帅,关亚军,曹楠,计美臣蒋家河口战役打响了新四军抗战的第一枪，也是新四军挺进敌后打伏击的第一仗。此役以少克众，以弱胜强，孤军深入，出奇制胜，给了嚣张跋扈、不可一世的日本侵略者一个结结实实的下马威，极大地鼓舞了中国军民的抗战斗
一英里
瑞安·菲利普,艾米丽·霍菲尔,莎拉·坎宁,Sage Linder,贝薇莉·埃利奥特,菲尔·伯克,加布里埃尔·哈辛托,C·托马斯·豪威尔,理查德·哈蒙,迈克尔·艾克朗德,Aodhan Guy,Jimmy Clarke,安德烈·特里科图,杰森·博杜安,Harper Grace Maybin,Jayden Popik,James Michalopolous,Anthony Timpano,乌戈·雷蒙多,艾普尔·特莱克一位父亲刑满释放后，试图通过带女儿参观大学校园来修复父女关系。然而，当一个凶残的邪教开始追杀他们时，两人所要拼命守护的，早已不只是那段早已破碎的亲情。
死人开关
比尔·斯卡斯加德,戴克·蒙哥马利,阿尔·帕西诺,加利·艾尔维斯,科尔曼·多明戈,米哈拉·赫罗德,约翰·罗宾森,乔丹·克莱尔·罗宾斯,肖恩·麦克布莱德,John N. Dixon,Casey Feigh,Eric Severs,斯蒂芬妮·伯托尼,Andy S. Allen,Neil Mulac,Katie Kinman,Todd Gable,Don Overstreet,Mark Helms,Kevin Ragsdale故事发生在1977年2月8日，围绕一名44岁的前房地产开发商Tony Kiritsis展开。他用枪劫持了贷款公司总裁Richard O. Hall，并在其身上绑了一个“死亡开关”，以此胁迫这位总裁在几近零度的天气里当着警察和记者的面穿过市中心的街道。
家弑服务
西德尼·斯维尼,阿曼达·塞弗里德,布兰登·斯克莱纳,米凯莱·莫罗尼,伊丽莎白·珀金斯,梅根·弗格森,艾伦·塔玛基,印第安娜·艾尔,伊万·阿马罗·布隆,莫瑞·金斯堡,多恩·迪皮塔,阿莱娜·苏格纳,阿拉贝拉·奥利维娅·克拉克,马特·沃尔顿,阿曼达·乔伊·埃里克森,布赖恩·D·科恩,索菲娅·邦内尔,凯伦·傅,亚历山德拉·西尔,里根·菲茨杰拉德改编自芙蕾达·麦克法登的同名畅销小说。 为生计挣扎的女子米莉（西德尼·斯维尼 Sydney Sweeney 饰）找到了一个新的开始，在一对看似完美且富有的夫妻妮娜（阿曼达·塞弗里德 Amanda Seyfried 饰）和安德鲁（布兰登·斯克莱纳 Brandon Sklenar 饰）的家中做家政。然而，米莉很快发现一家人的秘密比自己的要危险得多，这座豪宅背后上演着充满秘辛、丑闻、权力诱惑的游戏。
好像一切都很糟糕
Melis Sevinç,Melisa Bostancıoğlu,İbrahim Arıcı,Mert Can SevimliAyşe, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster