怪谈 女幽灵的小蛮腰
摄影师井川晃司在山上拍照 我遇到一个叫任的女人，每晚与她有一个恋爱关系。 但是，当他看到Ren在恋爱期间的身体有瘀伤时，他会停止恐惧并离开她。 但是井川回到仁那里，听到瘀伤 尝试真正爱雷恩解决诅咒，但是围绕雷恩的诅咒并不容易解决。
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剧情简介
摄影师井川晃司在山上拍照 我遇到一个叫任的女人，每晚与她有一个恋爱关系。 但是，当他看到Ren在恋爱期间的身体有瘀伤时，他会停止恐惧并离开她。 但是井川回到仁那里，听到瘀伤 尝试真正爱雷恩解决诅咒，但是围绕雷恩的诅咒并不容易解决。
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好像一切都很糟糕
Ayşe, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster
美国小说
失意的小说家兼教授塞隆尼斯·“蒙克”·埃里森（杰弗里·怀特 Jeffrey Wright 饰）出于怨恨，用开玩笑的方式写了一本小说，书中充斥着古怪刻板印象的黑人形象。不料这本书出版后大受好评，不仅获得文学大奖，还被拍成电影。
假面复仇
骗子离开大卫破产,失业& -他的女朋友。所以他开始找到骗子但是复仇并不是在他的脑海中。