青楼名妓之桃花扇

评分:5.0 播放:20万 更新:2026-05-24
主演: 未知/

明末复社名士候方域与秦淮名妓李香君相恋。阉堂马士英、阮大铖想结交方域,表示愿意代为出资,撮和两人。在深明大义的香君劝导之下,方域断然谢绝。 武昌总兵左良玉率军移食南京,朝野震动,方域与左为世交,因而修书劝戒,却不料被阮大铖污蔑通敌。必不得以,方域只好前往扬州投靠督师史可法。 不久李自成陷北京,马、阮迎立福王,迫害复社众人,针香君转与作妾。香君不从,昏倒伤额,血染方域所赠官扇,方域得知,情难自抑…… 故事产生于明王朝覆亡的前夜,当时政治腐败,民不聊生,关内爆发了农民大起义,关外的清兵也虎视眈眈,随时欲伺机而入。 影片赋予李香君忠于爱情、勇于反抗好佞强横的高尚品格,她的曲折命运与情操相当感人。全片结构严谨,脉络分明,侯、李爱情是铺衍情节、展开社会描述的1条线索,而诗扇作为贯穿全剧的道具,则既是侯李定情的标志调又是他们离合的意味艾旦影视,海外影院,海外影视,海外YY,海外抢先电影,海外手机影院,海外影院APP,海外中文影视,海外影视网,海外华人影院,海外影院tv,蛋蛋电影网,海外福利影院,haiwaiyingyuan

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派对岛上的危险

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性格内向的律师梅尔·戴尔得知她爱冒险的妹妹突然去世后感到悲痛欲绝。但当她前往收集姐姐的尸体时,她很快就怀疑有人谋杀。她可能是下一个。

等待方舟

耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔

  Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.  Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?  n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.  What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.  On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.  One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.  Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

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阿勒泰之歌

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