当妈妈寂寞时
即將前往入伍服役超過兩年的允載,在入伍前夕拜託自己的好友賢宇照顧獨自生活的媽媽。兒子不在的日子,總是感到空虛寂寞的熙京,在自己生日當天,把賢宇找來家裡一起慶生,漸漸對他產生了依賴之情,明知不可以,最終還是越過了不能逾越的底線……
在线播放
剧情简介
即將前往入伍服役超過兩年的允載,在入伍前夕拜託自己的好友賢宇照顧獨自生活的媽媽。兒子不在的日子,總是感到空虛寂寞的熙京,在自己生日當天,把賢宇找來家裡一起慶生,漸漸對他產生了依賴之情,明知不可以,最終還是越過了不能逾越的底線……
同类好片
陷入麻烦的女孩
Columbus Short,Wilmer Valderrama,Alicja Bachleda草莓月亮
当真亚美,斋藤润,杉野遥亮,中条彩未,中山裕介,田中丽奈,池端杏慈,黑崎煌代,吉泽要人,伊藤健太郎,泉泽祐希,池津祥子,桥本润,黑岛结菜女士优先
萨莎·拜伦·科恩,裴淳华,汤姆·戴维斯,艾米莉·莫迪默,韦鲁切·欧皮亚,查尔斯·丹斯,费奥纳·肖,理查德·E·格兰特,雷德·滕南特,凯瑟琳·亨特,卡迪夫·克尔万,比尔·帕特森,保罗·查希迪,乔丹·梅特卡夫,丹尼·艾肖克,达妮·莫斯里,梅狄·莱斯,罗恩·库克,黛博拉·芬德莱,玛雅·西蒙森,爱丽丝·布里塔因,埃米·格莱德希尔,汤姆·斯托顿铁血战士:荒原
David Chokachi,Amulya Ananth,Vanessa Zanardi鬼府神工
劳伦·拉维拉,Claudio Nathan Brezzi,雅辛·法德尔,Peppe Fonzo,Gianluigi Galvani,Melanie Gaydos,克劳迪亚·杰里尼,Jonathan Dylan King,Elisabetta Klein,乔瓦尼·隆巴多·雷迪斯,Stefano Martinelli,丹妮丝·麦克尼,Maria Grazia Ortesani,Courage Osabohine,Tony Pandolfo,洛伦佐·伦兹,Nicolo Viridi,Linda Zampagli全面营救
鲁克·高斯,罗伯特·戴维,戴维·费尔南德斯,芭芭拉·帕多,帕特里夏·德·莱昂,Luis Gatica,Jeanette Samano,Jack Carlisle,Alain Mora,Zokai Holmes,Denitza García,Jordan Simkovic,Tonya Bordeaux,Mopar Murray,Laura Martin导演精选
黑色黄金
拉米罗在多年后再次遇到老友达米安。达米安似乎有一些见不得人的勾当,他声称要去寻找隐藏在一个废弃修道院的某种宝藏。拉米罗的女友劳拉并不信任达米安,决定陪伴他们同去。但三人不知道的是,那里有某种神秘可怕的东西等待着困扰他们。。。
爆水管
一个东南亚小镇中,卷王警察于大海(彭于晏 饰)起早贪黑,努力工作,让小镇连续7年维持0犯罪率。结果因为没有案子,警察将被全员辞退,“铁饭碗”成了“塑料碗”,为保住工作,于大海决定和队友们一起造个大案。与此同时,真正的大案正在发生,前来投奔罗四季(艾伦 饰)的盗墓贼罗浩(周游 饰)、牛大轮(闫佩伦 饰)一家人,盯上了传说中藏有宝藏的古墓,而这个古墓就在警局之下......
等待方舟
Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.