都市仲夏夜
别名:Summer Night in Town Nuit d ete en ville 法国导演米歇尔德维尔最大胆的一部电影。两位极具才华的演员把人生很难以简单叙述最亲密的人际关系的一个夜晚演绎成一段既黑暗、神秘、平淡又内疚、紧张、深刻的情侣生活写照。 他们是对手还是伴侣,為什麼分居而不能分享公寓?他们像刚开始的新关系进入对方的生活并尝试去了解彼此,為什麼两个恋人非得这样才会激情如潮?他们隐藏了问题本身背后的傲慢与轻鬆,為什麼需要打个du来解决和接受这样的游戏?他们聊他们的生活、以前的恋人和他们的计划,為什麼要靠一次次的激情遭遇战最终才能放鬆自己?他们在预期的一个爱情之夜,為什麼要以吸引彼此爱抚的方式来排解怨恨? 路易和埃米莉就是这样的一对情侣。在一个炎热的夏夜,他们一边讨论一边开玩笑,彼此间找到了共同之处。越来越和谐的爱情关系在持续,远远超过了中止在第二天早上的歷史过去......不愧是法国经典情色电影,精緻、细腻、唯美,一点不色情。导演採访和幕后花絮更不要错过,信息量巨大
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好像一切都很糟糕
Melis Sevinç,Melisa Bostancıoğlu,İbrahim Arıcı,Mert Can SevimliAyşe, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster