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德国悬案事件簿：失踪警探
罗兰·维斯内克,梅克·德罗斯特,马克·本杰明·普赫一天清晨，刑警惊觉自己的搭档失去了音讯。事实上，搭档在夜晚返家的途中，意外目睹一起犯罪行为。不料现场突然发生提款机爆炸，她身受重伤，随即被犯人绑走。
刺透
克里斯托弗·阿波特,米娅·华希科沃斯卡,莱娅·柯丝达,奥利维亚·邦德,玛丽亚·迪齐亚,马琳·爱尔兰,达科塔·卢斯提克,维德尔·皮尔斯该片故事讲述一名变态杀手（克里斯托弗·阿波特 饰）计划在酒店招妓（米娅·华希科沃斯卡 饰），并将其谋杀。然而他计划却失败了。
皮附
Tristan Beint,Amelia Bennett,Simon RiversSix people bound together by a traumatic experience decide to round off a year of group therapy in style. They join each other once more, traveling up to the Scottish Lowlands for a reunion weekend in a 1970s holiday let. Soon a number of mysterious and horrifying events start to expose the cracks in their relationships, and one by one they discover that trust runs but skin-deep. A night of closure turns out to be far more final than they could have anticipated.
绑架者2026
雷佳鑫,杨力,田华,黄一飞,陶慧敏,赵毅佳宇打算去北京阻止父母离婚。被佳宇救助的邓凯帮他筹钱。父母回村办离婚，佳宇被邓凯假绑架，反被传销分子利用敲诈佳宇父母，父母报警，佳宇被救。佳宇在景区招商汇演时表演当年父亲失败的魔术，挽留父母。
笔仙大战贞子2
奚美丽,云翔,朱娅,王宇凝,林奕婧《笔仙大战贞子2》讲述了美术学院学生夏柚（奚美丽饰），在与“姐妹团”佩洁（朱娅饰）、小依（王宇凝饰）、雯雯（林奕婧饰）聚会时候玩起了通灵游戏，阴差阳错之下招致了贞子的出现，伴随而来的还有噩梦和杀戮。被逼无奈之下，姐妹团决定召唤笔仙，一场中日鬼王之间的恶战再次掀起。
好像一切都很糟糕
Melis Sevinç,Melisa Bostancıoğlu,İbrahim Arıcı,Mert Can SevimliAyşe, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster