外遇
塔利亚·桑德维克·莫尔[羞耻]、安德莉亚·巴伦·郝威格[我属于]加盟[洞窟]导演亨里克·马丁·道斯贝肯情色惊悚新作[外遇](An Affair，暂译艾旦影视,海外影院,海外影视,海外YY,海外抢先电影,海外手机影院,海外影院APP,海外中文影视,海外影视网,海外华人影院,海外影院tv,蛋蛋电影网,海外福利影院,haiwaiyingyuan。18岁的塔利亚将化身学生，对片中44岁的女教师（安德莉亚·巴伦·郝威格 饰）疯狂迷恋，并发生迷离婚外情......
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方郁婷,柯炜林,汤毓绮,曾敬骅,陈以文,蔡昌宪,陈竹升,詹馥瑄,胡智强,陈俊成,刘冠廷,林美秀,谢章颖,林志儒,陈季霞,王传一,林雨宣,朱德刚,黄丞邦,廖邱堃,百白,许莉廷,江澄瑄,姜予,卢尉宁,纪亮竹,王明台,李雪,林道禹,王靖惇,李国强,林泽凯,萧东意,宋芸桦,潘丽丽,周家宽教场Reunion
木村拓哉,大岛优子,川口春奈,目黑莲,福原遥,赤楚卫二,白石麻衣,染谷将太,坂口宪二谍杀风暴
马里奥·卡萨斯,玛蕾拉·嘉里加,路易斯·扎赫拉,诺拉·纳瓦斯,丹尼·德拉托雷,克里斯蒂安·塔潘,尼薇·德·曼迪娜,克丽丝蒂娜·乌玛尼亚,里卡多·德巴雷罗,Luisa Vides,Fabián Aguilar,Sarah Cafaro,Miguel Brocca,Luis Carlos Babestas,Noa Badía,Jhonathan Saenz,皮拉尔·戈麦斯,Roberto Mateos,Alejandro Vergara,巴勃罗·阿尔瓦雷斯天才游戏
彭昱畅,丁禹兮,李蔓瑄,邓恩熙,侯雯元音乐之声
朱莉·安德鲁斯,克里斯托弗·普卢默,埃琳诺·帕克,理查德·海顿,佩吉·伍德,查尔敏·卡尔,希瑟·孟席斯-尤里克,尼古拉斯·哈蒙德,杜安·蔡斯,安吉拉·卡特怀特,黛比·特纳,基姆·卡拉思,安娜·李,波希娅·纳尔逊,本·怀特,丹尼尔·特鲁希特,诺玛·威登,吉尔克里斯特·斯图尔特,马妮·尼克松,埃瓦德妮·贝克,多丽丝·劳埃德,格特鲁德·阿斯特,弗兰克·贝克,史蒂夫·卡鲁瑟斯,山姆·哈里斯,多罗西·吉金斯,利奥达·理查德斯,杰弗里·塞尔,伯纳德·赛尔,诺尔曼·斯蒂凡斯,伯特史蒂文斯,玛丽亚·冯·特拉普E.S.P.Y
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取款机杀人夜
爱丽丝·伊芙,乔希·佩克,布莱恩·格拉格提,阿隆·休斯,奥马尔·可汗,威尔·沃伊托维希,格伦·汤普森一年一度的圣诞佳节终于到来，在狂欢派对上，投资公司职员大卫（布瑞恩·杰拉夫迪 Brian Geraghty 饰）终于鼓起勇气向刚刚辞职的美丽女职员艾蜜莉（艾丽丝·伊芙 Alice Eve 饰）搭话，聚会中途，二人驱车和他们的朋友科瑞（乔什·派克 Josh Peck 饰）一同返回。此时已近深夜，希望买点儿什么吃的的三个人进入某自动提款机服务站取钱，可是正待出门时却发现一个神秘阴森的身影站在外面，后者更在众目睽睽之下杀了一个陌生的流浪汉。 大卫等人就这样被困在方寸之间，看似随机的袭击事件，一切似乎又尽在神秘之人的掌控之中，他们最终能否逃脱？还是成为恐怖袭击者的牺牲品？
女士优先
萨莎·拜伦·科恩,裴淳华,汤姆·戴维斯,艾米莉·莫迪默,韦鲁切·欧皮亚,查尔斯·丹斯,费奥纳·肖,理查德·E·格兰特,雷德·滕南特,凯瑟琳·亨特,卡迪夫·克尔万,比尔·帕特森,保罗·查希迪,乔丹·梅特卡夫,丹尼·艾肖克,达妮·莫斯里,梅狄·莱斯,罗恩·库克,黛博拉·芬德莱,玛雅·西蒙森,爱丽丝·布里塔因,埃米·格莱德希尔,汤姆·斯托顿达米安（萨莎·拜伦·科恩饰）似乎拥有一切：金钱、权力，以及源源不断的艳遇。正当他准备晋升为一家顶尖广告公司的首席执行官时，一场噩梦让他的生活彻底颠覆：他醒来发现自己身处一个由女性主宰的平行世界。曾经叱咤风云的他，如今却发现自己处境艰难，不得不与强势无畏的艾莉克斯（裴淳华饰）正面交锋。规则改变，艾莉克斯如日中天，两人展开了一场大胆的较量。这部轻松诙谐、讽刺意味十足的喜剧讲述当性别角色被彻底颠覆时会发生什么。
致命玩笑
海耶斯·麦克阿瑟,杰西卡·麦克娜美,基尔·奥唐纳一对兄弟姐妹在一家偏僻的汽车旅馆里度过了一个可怕的恶作剧之夜。
等待方舟
耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.