透明女孩的故事
The Transparent Girls Second Stor艾旦影视,海外影院,海外影视,海外YY,海外抢先电影,海外手机影院,海外影院APP,海外中文影视,海外影视网,海外华人影院,海外影院tv,蛋蛋电影网,海外福利影院,haiwaiyingyuan
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牛排
埃里克·朱多尔,朗齐·贝迪亚,乔纳森·朗贝尔,Vincent Belorgey,Sebastian Akchoté,Laurent Nicolas,Sébastien Tellier,Alain Gendreau,Mark Latrémouille,Marie-Claude Michaud,雨果林·什维特·兰黛斯科,Caroline Bernard,Steve Barry二〇二五年的欧陆
埃斯特·通帕,安娜玛丽亚·比鲁斯卡,马里乌斯·达米安,伊林卡·马诺拉切,瓦娜·马尔达雷,谢尔班·帕夫卢,阿德里安·希塔鲁,加布里埃尔·斯帕休,阿多尼斯·坦察心之高歌
Carola Insolera,Emilio Insolera,Antonio Iorillo,Simonetta Pellizzer,Sarah Toscano,塞雷娜·罗西致命录像带3：病毒
Carrie Keagan,Justin Welborn,杰西卡·卢扎,兰迪·麦克道维尔,Emilia Zoryan,Emmy Argo,Michael Aaron Milligan爱情背叛
莎拉·鲍尔,安德鲁·富尔茨,马克·赫尔曼旷野
亨特·杜汉,山姆·贾格,凡妮莎·肖同类推荐
红嫁衣：纸新娘
何雨宸,贺刚,邱俊龙,许诺,雷琨,张宸彬,徐喆,朱嘉镇中元鬼节，阴间大门洞开！滔天鬼气喷涌，无数怨灵哀嚎爬入人间！凶神恶煞的五猖兵马手持染血铁链，当街撕扯活人魂魄，惨叫声撕裂夜空！修罗城瞬间化成鬼域！阴阳师叶无双与厉飞云临危受命踏入死地。然而，他们遭遇的，是远超想象的极恶凶灵：红嫁衣纸新娘！夜半三更，回魂之夜，四名惨白纸人，脸颊涂着诡异腮红，嘴角裂至耳根，关节咔咔作响，抬一口薄皮棺材，脚不沾地，直扑国舅府。翌日，国舅仅剩一张人皮，被折成纸偶塞进棺中。红嫁衣所过之处，寸草不生，活物绝迹！街坊邻里，前日犹在寒暄，一夜之间，整条街住户尽化僵硬纸人，脸上凝固着死前极致的恐惧！孩童捡起一张飘落的红纸钱，当晚全家七窍流血，身体在惨叫中干瘪脆裂，化作纸屑！纸新娘索命降临，无人生还！修罗城，这座活人之城，被无法抗拒的怨气拖向无间鬼蜮深渊………
东北往事·极恶不赦
刘牧,陶慧,王小毅,丁宇佳,魏子千,李飞扬,梁靖晨 Jingchen Liang,丁海峰,张潮,葛四,吴尔渥1995年，东北吉春市，两名戴着麻布头套的悍匪连杀数人劫走巨款，现场不留活口，手法毒辣到让全城胆寒。警察局长命令刑侦队长张震调查此案。早已隐退“江湖”多年的赵红兵因战友被杀，决定联合刑侦队长张震为牺牲的战友讨回这笔血债。
看不见的女儿
阿登·杨,茱莉亚·莎拉·斯通,Camille SullivanA man, who years earlier mysteriously abandoned his family and isolated himself in a small northern town, returns for one last chance to reconnect with his troubled daughter. When she goes missing, he risks everything to find her, including exposing the fact that he is becoming invisible.
上帝阴影下
马克·奥布莱恩,杰奎琳·拜尔斯,Shaun Johnston,乔什·克鲁达斯,阿德里安·霍夫,戴维·哈索姆,Cara Azevedo一位精英驱魔师在对他的父亲进行未经授权的驱魔时，怀疑与他战斗的实体是一个神圣的存在——甚至可能是上帝。
等待方舟
耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.