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จันทร์เพ็ญ คงประกอบ,วรชาติ ธรรมวิจินต์,ชูเกียรติ เอี่ยมสุข,พิเชษฐ์ เอี่ยมชาวนา,พวง แก้วประเสริฐ,จำนงค์ ปิยะโชติ阿凡达：火与烬
萨姆·沃辛顿,佐伊·索尔达娜,西格妮·韦弗,史蒂芬·朗,奥娜·卓别林,大卫·休里斯,凯特·温斯莱特,贝利·巴斯,吉奥瓦尼·瑞比西,杰梅奈·克莱门特,杰米·福雷特斯,埃迪·法可,克利夫·柯蒂斯,乔·大卫·摩尔 ,杰克·尚皮永,马特·杰拉德,科斯顿·约翰,菲利普·盖廖,布里坦·道尔顿,特里尼蒂·布利斯,小杜安·埃文斯影视排行
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外星精神病
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好像一切都很糟糕
Melis Sevinç,Melisa Bostancıoğlu,İbrahim Arıcı,Mert Can SevimliAyşe, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster
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