暴风情事
Parents died, and that's what we are. Parents remarried the same day a died after a car accident left three siblings - people and silver fox, to the parents leave the death insurance reluctantly. One day, the elder sister is the share price of all property 100000000 yuan, disappeared, the balance of the triangle is awake. Am I really ours? Good is the high school student's attention in the fall when I'm like.
即刻观影
剧情赏析
编辑推荐
互帮互助
黑木华,中村苍,藤间爽子,安藤玉惠,近藤华,白鸟玉季,吉冈睦雄,松本利夫,升毅,西田尚美,田口智朗,风吹淳,草笛光子本片改编自同名小说，讲述了主人公·梓失去了无可替代的挚友而止步不前，她不断给已故好友发送信息，由此开始，意想不到的邂逅接连发生，形成了一个巨大的圈子…
大话修仙
孙槐志一天欣欣来到一家古董店，连呼数声有人么，不见有人回应，偌大的古董店空无一人。由于好奇心的驱使欣欣不管三七二十一自娱欣赏起来，不断的被眼前的物品所震慑所陶醉，就在此时突然有一人出现，吓了欣欣一跳。此人行径古里古怪，不过欣欣也没有放在心上，欣欣与其交谈数据之后又继续欣赏起古董来，然而奇怪的事情就在此时悄然发生了……
恐怖故事3：火星来的少女
任瑟雍,景收真,朴正民,洪恩熙由连续并相互构陷的恐怖元素和花絮构成。此次《恐怖故事3》跨越时间将故事呈现，“过去”设置在恐怖故事“狐狸窟”，“现在”聚焦在路怒症Road Rage，“未来”段落围绕人工智能“机械力”。向观众展现不同的元素，释放不同恐怖刺激时本片的内容和目标。
谎言与偷窃
艾米丽·拉塔科斯基,西奥·詹姆斯,弗雷德·迈拉麦德,艾邦·摩斯-巴克拉赫,小伊塞亚·维特洛克,伊万·汉德勒,约翰·盖汀斯提奥·詹姆斯、艾米丽·拉塔科夫斯基(《消失的爱人》)主演犯罪新片《谎言与偷窃》(Lying and Stealing)首曝剧照，近日刚于洛杉矶开拍。Matt Aselton(《不可思议》)执导，讲述一个年轻、圆滑的贼Ivan，他的专长是盗窃洛杉矶上层集团的高端艺术品，事业发展很顺利，但他想退出。Elyse是一名很有前途的女演员，她的密室里堆有成山的建筑骨架和大量债务。两位机灵的骗子决定合作，参与一项大胆的抢劫案。 弗雷德·迈拉麦德(《严肃的男人》《炸天女郎》)、Ebon Moss-Bachrach(《惩罚者》《末日孤舰》)、Isiah Whitlock Jr.(《迷雾》《副总统》)、伊万·汉德勒(《加州靡情》《欲望都市》)、约翰·盖汀斯(《铁甲钢拳》《极品飞车》)等参演，Michael Costigan(《断背山》《美国黑帮》)、Naomi Despres(《一级重罪》《杀死信使》)、Christopher Tricarico(《高堡奇人》《五月夏日》)、Mohamed AlRafi(《毋庸置疑》)共同制片。
失控2018
李·佩斯,杰森·苏戴奇斯,朱迪·格雷尔,寇瑞·斯托尔,艾琳·莫里亚蒂,贾斯汀·巴萨,迈克尔·库立兹,塔拉·萨莫斯,伊多·戈德堡,冈本玉二,阿瑟·迈尔斯·法里卡,艾梅柏·里维拉,布赖恩·泰斯特,杰弗里·霍尔斯曼,奥马尔·克鲁兹·索托,Isabel Arraiza,Tyler Crumley,路易斯·O·罗萨多李·佩斯出演美国传奇汽车公司德劳瑞恩的创始人——天才汽车设计师约翰·德劳瑞恩，影片设定在1980年代，德劳瑞恩创建还没几年，正在崛起，聚焦约翰和苏戴奇斯饰演的Jim Hoffman的关系。Hoffman看似有趣迷人，其实他是一名前诈骗犯，现在为FBI工作，他来约翰这里当卧底，想要控告其贩毒。两人建立的一段有趣的bromance也很快急转直下，行差踏错。
等待方舟
耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.