赌城里的女孩
[少女倚隽（郭智敏饰）和洁蓉（韩业云饰）梦想着去欧洲旅行，为了筹得费用，她们决定由洁蓉援助交际出卖肉体，而倚隽为她招揽生意打理钱财。越来越多的男人宣泄他们的欲望，两个女孩子离梦想里的欧洲越来越近。一次警方突然到旅馆搜查卖淫，脱逃的洁蓉从窗口跳下，受了重伤。倚隽背着她到医院，洁蓉渴求倚隽带她心爱的男人来见最后一面。男子答应去见洁蓉，却提出要和倚隽性交。清纯的倚隽不能接受这般惊诧的想法，但为了好友，她最终献出了自己的身体。只是谁都无法挽救洁蓉的死亡，倚隽拿出以前的记录，一个一个联系男人赎罪般出卖肉体，将原先的钱散还回去。做侦探的父亲勇基（李乌饰）知道后万分愤怒和痛苦。他报复这些嫖客并杀死其中一人。之后，他带着女儿到乡下祭奠死去的母亲……]
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本杰明·布拉特,克瑞丝塔·米勒,路易斯·费雷拉,瑞克·斯克路德,米卡尔·苏查内克,艾瑞克·麦柯马克,金大贤,Barry Flatman,Ted Whittall,Ted Atherton,安德鲁·布劳尔,Roman Podhora,维奥拉·戴维斯,安娜·高尔文,Jonathan Potts,Ava Salomon,艾米莉·霍尔姆斯,Fred Keating,Denise Galik,Kurt Max Runte,Cory Dagg,胡安·卡洛斯·韦利斯,艾德里安·霍姆斯,Nicola Anderson,保马腾你别走
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Lee Bane,Harriet Rees,Judith Haley瘦身男女
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薛景求,严志媛,李来,金海淑,金相镐,罗美兰,杨真诚,权泰元她（李来 饰）是一个美丽平凡的小女孩，和爸爸妈妈生活在位于街角的家中。家里经营着以她的名字素媛命名的杂货店，母亲（严智媛 饰）作为老板娘日夜忙碌不得闲暇，父亲则在工厂干着繁重的工作。在那个飘雨的早上，素媛打着雨伞独自上学。在离学校近在咫尺的地方，她遭遇一个相貌猥琐、酒气冲天的大叔，由此开启了她的悲剧之旅。柔嫩的小花遭到暴风雨无情摧残，受伤的岂止枝枝叶叶，更是那迎着阳光无忧成长的心。无良媒体铺天盖地大肆渲染，作为受害者的素媛一家仿佛成了周身污秽的耻辱之人，被四周诧异好奇的目光所包围。妈妈悲痛欲绝，几近崩溃。爸爸全力保护女儿，但受伤的小天使却拒绝爸爸的靠近。问凶之路伴随着天使的治愈旅程，美丽的女孩可会再露灿烂笑容？
犯罪现场调查完结篇：不朽
特德·丹森,乔雅·福克斯,艾瑞克·兹曼达,罗伯特·大卫·豪尔,华莱士·朗翰,大卫·伯曼,伊莉莎白·哈诺伊斯,乔·维尔内尔,威廉·彼德森,玛格·海根柏格,保罗·吉尔福伊尔,迈克尔·比奇,布瑞达·伍尔,凯蒂·史蒂文斯,Alexandra BarretoCBS的秋季时间表透露了CSI的最终命运：将推出一个2小时的电视电影作为大结局，元老级角色将回归，包括“葛瑞森”威廉·彼德森、“凯瑟琳”玛格·海根柏格。大结局将于9月27日播出，然后《网络犯罪调查(CSI:Cyber)》第二季接档。
等待方舟
耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
丢失的彩票
翁拉维·那提通,芬蒂拉·皮皮亚克隆,娜帕帕·丹特拉库尔,苏提拉克·素维杰拉一个抢劫喜剧电影，关于一群人的生活从手嘴一起作为一个团队的使命，从一个黑手党债权人拿了中奖的彩票不知道它赢得了3000万泰铢的奖金回来!