妈妈的恋人2
與母親智妍同住的女兒恩瑞。恩瑞正在等她的男朋友找工作。一天，恩瑞回到家，看到她的母親和她的情人德哲發生性關系。那天晚上，恩瑞帶着男友回家，向這對母親夫婦打招呼。一起喝酒時，恩瑞意外地被善良的德哲所吸引，智妍對年輕而強大的女兒的男朋友産生了渴望……
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剧情简介
與母親智妍同住的女兒恩瑞。恩瑞正在等她的男朋友找工作。一天，恩瑞回到家，看到她的母親和她的情人德哲發生性關系。那天晚上，恩瑞帶着男友回家，向這對母親夫婦打招呼。一起喝酒時，恩瑞意外地被善良的德哲所吸引，智妍對年輕而強大的女兒的男朋友産生了渴望……
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好像一切都很糟糕
Ayşe, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster