我父亲的电影

 讲述了结婚多年并育有一子的戏剧导演查理和女演员妮可因工作分居而不得不走向离婚，在这场为了争夺抚养权的离婚拉锯战中，关于爱情、婚姻和家庭真实感人的细枝末节牵动人心。两人的关系又将何去何从？

　　Following her mother’s death, manga artist Soriya travels to her ancestral home in Phnom Penh, with hopes of reconnecting with her distant family and using the visit as inspiration for her work. All goes well initially. Renting an apartment in Metta, a rundown Khmer Rouge-era housing complex, her visit to her maternal relatives finds her welcomed with open arms. But Soriya’s waking hours in the apartment and its surroundings are punctuated by terrifying, bloody visions, almost as though she were a conduit for horrors of the past wanting to seep into the present.　　Inrasothythep Neth and Sokyou Chea’s blood-chilling psychological horror explores a personal and political past through the present, transforming a characterful space into an insidious environment. Surrounded by modern high-rises, this decrepit structure, with its brutalist architecture and peeling surfaces, is a relic from a dark period in history whose painful memories it has absorbed. In tracing Soriya’s ominous journey back to her roots, Tenement hints at a necessary reckoning with Cambodia’s political past without overplaying its historical dimension. It’s an impressive work from a woefully underrepresented national cinema.

　　安娜在床上醒来，脑袋因为前一夜的狂欢有些昏沉疼痛。她打开手机，发现新增一款名为“伊丽丝”(IRIS) 的神秘互动APP；它将好姊妹出轨的证据偷拍下来，还将不雅照、私密影片和讯息散布至脸书，监控她的生活，周遭朋友纷纷卷入，陷入恐慌。　　安娜用尽一切办法，欲将伊丽丝移除，却引来致命杀机。不甘居于劣势的她，决定正面迎击…。

 沙漠里流传着一句话：天出血，人死绝。故事发生在旧时代的西北，这样一片沙漠地带，它讲述了一个爱情悲剧故事。年青的问九因乡邻间缺水争执而出逃在外，待回来时，曾与之心心相印的秀秀姑娘已被族叔迎娶，成了他的婶婶。水继续威胁着人们的生存，问九的族叔为富不仁，竟以空手能否从滚开的油锅里捞起铜钱来决定人们在绿洲的去留，他狠毒地骗问九替他捞起铜钱却又暗地加害问九。问九奋起抗争，砍死了族叔，被官府捉捕。牢狱未能囚住问九渴求自由的心。他一次次寻求机会越狱。数十年后，当问九逃出虎口，却又被沙漠里的土匪抓住逼他带路，对秀秀的爱情支撑着问九最后的生命，他再次出逃，挣扎着爬回自己的故乡。但黄沙已无情地吞噬了这里的一切，唯有刻着绿洲村的石柱还未被淹没。问九手抚石柱瞑目在这荒原上。荒原上，彩霞满天。天出血，人死绝。