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剧情赏析
编辑推荐
鬼屋脱身
Jaclyn Betham,丝柯·泰勒-考普顿,兰德里·阿尔伯特,莱恩·托冉,Noah Lowdermilk,Jamil Walker Smith,Lane Caudell,Ben Deschaine,Chrystopher Ryan Johnson,Kynsleigh Queen,Liz Zwiebel一个年轻女子被一个背木邪教绑架和她的报复。
蝴蝶楼·惊魂
李梦,刘思维,姜卓君,周铁,王柠神秘的陆家别墅又叫蝴蝶楼，是出了名的凶宅。理疗师李晗（李梦 饰）、心怀鬼胎的阿伟（刘思维 饰）先后住了进来。此后，一桩桩离奇事件接踵而至：头绑血纱的红裙女人在房间游荡，面目扭曲的无眼男童在凄厉嘶吼……而阿伟因窥见更大利益贪念疯长，李晗却夜夜被梦魇缠身，更是意外撞见惊天豪门秘闻。与此同时，蝴蝶楼内的一场生死局也悄然布下，谁是待宰的羔羊？谁又会迈向更深一层的地狱？
宠它
俞逸夫,余逸蕾,王文,苏娜,耿岩淅,李先时,周浩东,吴春怡,王思懿,赵汉唐外卖员刘枫睿因撞车意外成为富家女梦琪的“宠物蛇管家”。在照顾宠物蛇“白娘子”的过程中，他不仅见证了梦琪男友的虚伪背叛，也陷入了自己女友的误解与抉择。最终，这条蛇成为了戳穿谎言的契机，两个身份悬殊的年轻人也在层层闹剧中觅得真爱。
心碎往事
安东·叶利钦,罗宾·威廉姆斯,蒂娅·里欧妮,埃里卡·巴杜,大卫·杜楚尼,弗兰克·兰格拉,泽尔妲·威廉斯,玛吉丽·阿马蒂,奥加·索斯诺夫斯卡,奥兰多·琼斯,Bernie Sheredy,斯蒂芬·斯皮内拉,爱丽丝·德拉蒙德,哈罗德·卡蒂耶,马克·马戈利斯父亲的突然去世让汤米（安东·尤金 Anton Yelchin 饰）一家人陷入了混乱，家庭无人照料一片狼藉，母亲终日哭泣郁郁寡欢，就在这样一种糟糕的情况下，汤米迎来了自己躁动又不安的青春，无处发泄的他只能通过调皮捣蛋来纾解心中的积怨。辍学后的汤米在一家熟食店打工，负责送货。 汤米和朋友帕鲁帕斯（罗宾·威廉斯 Robin Williams 饰）成天厮混在一起，帕鲁帕斯是一个外表成熟但心智幼稚的“大龄儿童”，两人之间的感情真挚又深厚。一次意外中，汤米结识了妓女蕾蒂（Erykah Badu 饰），后者带领他进入了成年人的世界，享受了爱情的甜蜜与苦涩。一场意外的发生摧毁了汤米自由的生活，它不仅终结了汤米的现在，也波及到了他的未来。
鬼屋脱身
Jaclyn Betham,丝柯·泰勒-考普顿,兰德里·阿尔伯特,莱恩·托冉,Noah Lowdermilk,Jamil Walker Smith,Lane Caudell,Ben Deschaine,Chrystopher Ryan Johnson,Kynsleigh Queen,Liz Zwiebel一个年轻女子被一个背木邪教绑架和她的报复。
等待方舟
耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.