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剧情提要
东京贸易公司职员吉冈博司(吉田辉雄饰)被女贼真弓(三原叶子饰)偷去钱包,内有帮助上司森川部长(九重京司饰)保管的重要文件。他因此在公司受到排挤,面临外调大阪的命运。与吉冈同在一家公司的恋人泷川玲子(三条魔子饰)白日里是一名普通的打字员,晚间却是一家名为“素描俱乐部”中的应召女郎,而森川部长恰恰是她的老主顾。暂无内容玲子以揭露桃色关系要挟森川收回对吉冈的调令,并从森川出索得一笔钱财。之后玲子希望退出俱乐部,开始婚姻生活,却遭到俱乐部老板濑川(冲龙次饰)的恐吓。最终,玲子被残忍杀害,而吉冈成为了重要嫌疑人……
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好像一切都很糟糕
Ayşe, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster