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异变者
绫野刚,成田凌,岸井雪乃,石井杏奈,内野圣阳阿勒泰之歌
阿依波塔·杰恩斯,银珠·木拿里别克,海拉提·哈木,张大磊,张雅玫,达列力汗·哈德尔,阿来·阿依达尔汗,叶尔那尔·俄合拉斯别克,阿力木江·吐尔斯拜克,丽娜·夏侃,阿依江·赛力克,达布力·黑巴提,库力加孜拉·比亚地春光乍泄
张国荣,梁朝伟,张震,格利高里·戴顿分享镇
达科塔·约翰逊,阿德里娅·阿霍纳,凯尔·马文,迈克尔·安盖洛·科维诺,西蒙·韦伯斯特,查理·吉尔莱斯皮尔,大卫·卡斯塔尼达,O·T·法格本,娜赫玛·里琪,蒂龙·本斯金,尼可拉斯·博朗,莱奥·亨尼利,罗宾·吉伦,利蒂希娅·布鲁克斯,泰勒·豪尔,艾米丽·欧康纳,卢克·麦克菲尔,让-克劳德·莫莱斯,贾·旁,杰西卡·马图琳,斯蒂芬·阿德科鲁,尼古拉斯·波舍尔逆转劫局
乌戈·席尔瓦,埃玛·苏亚雷斯,娜塔莉·波萨,巴巴拉·戈纳加,丹尼尔·佩雷兹·普拉达,苏珊娜·阿巴图纳·戈麦斯,坎迪多·乌兰加,Alexandra Prokhorova,Richard Sahagún,费尔南多·阿尔比祖西区故事
安塞尔·艾尔高特,瑞秋·齐格勒,阿丽亚娜·德博斯,大卫·阿尔瓦雷茨,迈克·费斯特,寇瑞·斯托尔,布莱恩·达西·詹姆斯,丽塔·莫雷诺,寇蒂斯·库克,凯文·科索拉克,麦迪·齐格勒,朱利叶斯·卢比奥,杰米·哈里斯,阿蒂夫·拉尼尔,何塞·拉蒙·罗萨里奥,克丽丝·怀特赫德,凯尔·艾伦,塔莉娅·莱德,贝尔·迈克尔斯 ,哈维·埃文斯,戴维·比恩,凯尔·休斯,基思·勒克里德·哈里斯同类推荐
金谍行动
杰克·吉伦哈尔,亨利·卡维尔,裴淳华,艾莎·冈萨雷斯,费舍·史蒂芬斯, 埃米特·J·斯坎伦,克里斯托弗·海维尤,科乔·阿塔,克里斯蒂安·奥乔亚·拉维尼亚,穆罕默德·阿勒·图尔基,杰森·王,卡洛斯·巴登,科里·道格拉斯·坎贝尔,拉娜·阿拉慕丁,贡萨洛·博乌萨,卡洛斯·克劳曼斯莫勒,西尔维娅·纳瓦尔,阿尔韦萨姆·希格达尔,阿列克谢·丘纳耶夫金融公司遭十亿恶意贷款，首次讨要无果后，讨债公司老板瑞秋挺身而出。她集结布朗克和席德组成一支精英小队，成功夺取硬盘数据，锁定债主曼尼的隐秘资产。随后，小队展开一连串精密操作，曼尼的资产帝国被迫冻结，而曼尼也终于现身谈判同意还钱。但当曼尼付清了债款，金融公司却迟迟未将曼尼的资产归还，气急败坏的曼尼将瑞秋擒获试图进行要挟。精英小队是否能成功将瑞秋救出，而曼尼又将受到怎样的恐怖惩罚呢？
四川好女人
何苇杭,赵若冰We don't see the woman on the train moving through Sichuan, just the trees, rivers, lakes and houses passing by the window, vanishing behind the blur of vegetation, segmented by the tunnels.
等待方舟
耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
切勿擅动
唐·钱德尔,本尼西奥·德尔·托罗,马特·达蒙,大卫·哈伯,布兰登·费舍,诺亚·尤佩,茱莉娅·福克斯,基南·卡尔金,克雷格·穆姆斯·格兰特,艾米·西米茨,弗兰西斯·肖,乔恩·哈姆,Tina Gloss,雷·利奥塔,拜伦·鲍尔斯,比尔·杜克,Lucy Holt,Katherine Banks,Claudia Russell,Lauren Rys Martin一群犯罪分子在神秘的环境下被聚集在一起，当他们简单的工作完全出现偏差时，他们不得不一起努力去揭开到底发生了什么。
留低你个死人头
William Baldwin,安琪拉·琼斯盖布丽（安琪拉·琼斯 Angela Jones 饰）的童年里有一段非常可怕的经历，年幼的她曾经在凶杀现场亲眼目睹死尸。这一段奇异的人生经历让盖布丽开始对尸体和死亡产生了好奇之心，这股子好奇随着她年龄的增大越发强烈起来，盖布丽甚至会特意的收藏报纸上的谋杀新闻做成剪报册，时时翻阅温习。 迈阿密接连发生凶杀案，被害者均是养尊处优的阔太太，而且无不身首异处。这起连环杀人案件很快就吸引了盖布丽的注意，为了能够更加接近命案现场，盖布丽来到了一间专门清理命案现场的保洁公司应聘成为了员工，并且在机缘巧合之下同连环杀人犯（威廉·鲍德温 William Baldwin 饰）有了一面之缘。