齐天大性II之大破盘丝洞

评分:8.5 播放:45万 更新:2026-06-02
主演: 马小玲/

话说西仙子与徒儿阿孙及阿猪前往「女儿国」拜见女皇金国,金国之妹银国从丞相口中得知,吸食西仙子下阴之「淫水」便能成仙,银为夺淫水诬告西仙子强奸自己,将西押入天牢﹗金可赦免西的罪,但要西下嫁给金,西借乱逃走之时,银抓走西并吸其淫水,银法力大增,孙以其「金刚巨棒」将银淫服,但银以淫声浪叫令孙金刚棒谷胀欲裂﹗危机之际,西与孙造爱,孙功力大增

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  During the US Civil War, Union POWs escape in a balloon and end up stranded on a South Pacific island, inhabited by giant plants and animals. They must use their ingenuity to survive the dangers, and to devise a way to return home. Sequel to '20,000 Leagues Under the Sea' . Written by Stewart M. Clamen

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朝代更迭、战乱四起,国家外临强敌、内遭瘟疫。流民孤儿顾小树与王爷世子李逸自幼相伴,情谊深厚。不料王爷突下追杀令,李逸迫于身份,只得暗中护送男主逃离城邦,并忍痛割席断交反目。男主在林中遭人伏击,幸得女箭客相救,同时有黑衣人透露其身世线索。为探寻真相,二人结伴踏上旅途,逐步揭开隐藏在追杀令背后的惊天仇恨与隐秘过往。

奇幻之家

赵文琪,李琦,斯琴高娃,颜勤,徐日东升,宋祉璇,来喜,天赐,张明明,孟繁淼,马国芯,吴一熳,徐日光耀,张韶洁,赵溦,宋牧晨,王庆峰,李时雨,孙悦

  一支家庭乐队,其中心是热爱唱歌的年轻人张寓哲(徐日东升 饰),他与父亲张皓(李琦 饰)爷爷张宏民(颜勤 饰)一同准备参加家庭才艺大赛。然而,一场意外的奇怪风暴却改变了一切,在前往济南的比赛途中,他们遭遇了闪电雷击,引发了一次离奇的身体互换。这场突如其来的变化将他们卷入了一系列惊险和尴尬的境地,需要他们适应对方的生活和角色。与此同时,单身母亲李芳玲(赵文琪 饰)和她的女儿李蓝蓝(宋祉璇 饰)也在前往同一家庭乐队大赛。两个家庭在奇怪的巧合下相遇,他们决定将这个突如其来的情况变为机遇,临时合并成一个全新的家庭乐队。这个组合的形成不仅是音乐的融合,更是情感、人际关系和亲情的交织。

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耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔

  Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.  Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?  n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.  What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.  On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.  One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.  Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.