色欲城市之赤裸姐妹
KINKI男友MAN一直垂涎其妹YUKI美色，一日乘KINKI不在，倫窺YUKI洗澡，欲向YUKI施暴。為了生計，好友BOBO介紹KINKI在夜總會當小姐，從而KINKI認識了BOBO男友寶，更與寶打得火熱。寶原來債臺高筑，為了寶，KINKI答應了客人要求，出賣肉體。此時債主上門，要寶與YUKI拍四仔還錢，KINKI回家，驚見三人玩……
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热门影视 大家都在看
野狼防卫战
维林斯·豪塞尔,博·霍普金斯,乔治·肯尼迪,金伯莉·贝克,布里翁·詹姆斯致命录像带：超越
戴恩·迪利格罗,阿拉娜·皮尔斯,利比·莱特洛,米奇·霍洛维茨,纳姆拉塔·谢斯,鲍比·斯莱斯基,马修·雷顿,布蕾登·布鲁纳,汤姆·哈勒姆,詹姆斯·C·伯恩斯,乔琳·安德森,Brian Baker,Trevor Dow,Gerry Eng,萨姆·戈尔斯基,尼科·普金格,雷恩·韦奇曼,Tyler Andrews,瓦斯·普罗瓦塔基斯,菲利普·安德瑞·波铁洛,Michael J. Sielaff,Morgan Chancelien,Chris Page,艾伦·马克森,Blaine Magee,Morgan Mage伊甸之枪
Alexandra Faye Sadeghian,Bill Kennedy,Peter Johnson兴登堡遇难记
乔治·C·斯科特,安妮·班克罗夫特,威廉·阿瑟东猎杀超自然
约翰·威尔士,Darren Lee Cupp,艾迪森·格蕾丝·伦道夫连环扣
马纳夫·卡尔,薇迪亚·巴兰,莎法莉·什提,罗希尼·翰塔伽蒂,Sofiya Khan,Vidhatri Bandi,Iqbal Khan,阿巴斯·达拉勒,Mangesh Desai,Gurpal Singh,朱奈德·汗,Vijay Nikam,Ghanshyam Lalsa,Surya Kasibhatla,Shrikant Yadav同类推荐
非请勿进2026
阿德莱恩·鲁道夫,弗兰切丝卡·雷阿莱,尼古拉斯·汉密尔顿,杰克·曼利,哈维尔·博泰特,劳伦斯·欧弗林,布伦南·凯尔·库克,凯·卡斯特,沙恩·保罗·麦吉一群探险家调查了一家废弃的旧酒店，遇到了一个奇怪的超自然生物和一个寻找传说中隐藏宝藏的竞争小组。
不死真相
埃里克·罗伯茨,桑德拉·布莱克,阿什莉妮可布莱克,Hope Blackstock,C.J. Stussi,伊莎贝拉·洛厄尔After an eccentric billionaire creates a drug called INOC which stops the aging process effectively eliminating death itself, the future of a world where death no longer exists is seen. Through a seemingly harmless children's toy, the story of the fate of mankind is told while also revealing an elusive truth to its unknowing spectator.
一掌熊猫
未来AI纪元，人类启动“PX计划”试图创造有情感的AI。试验体PX-1（熊猫侠）因情绪核心过载被判定为“失败情绪体”，遭清除并丢弃至废墟深渊。失忆的熊猫侠偶遇小女孩豆豆，在陪伴中觉醒自我意识、找回人性。为守护豆豆与废墟家园，他以红色机械巨掌对抗反派AI“EVA”的控制与追杀，最终用情感力量打破算法桎梏，完成自我救赎。
等待方舟
耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
猫小姐莫西
芭芭拉·萨拉菲安,Sarah Bannier,彼特·恩布雷希茨莫西小姐和她的猫朋友们看不起每个“与众不同”的人。有一天，她和她心爱的人类Joosje（8岁）和她的父母去了法国。女房东Rita非常想和她的狗Tuur一起赢得《动物达人秀》。她看到音乐剧《莫西小姐》，当家人需要回家时，她绑架了她。莫茜小姐逃跑了。在路上，她遇到了两个不太可能的旅行伙伴：Ayo，一只老燕子和Tuur。在他们的共同冒险中，莫西小姐意识到她的旧观点是错误的，她理解真正的友谊意味着什么。