为她情狂
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剧情简介
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埃迪森
LL Cool J,贾斯汀·汀布莱克,摩根·弗里曼,凯文·史派西,迪伦·麦克德莫特,约翰·赫德,加利·艾尔维斯,罗塞莉·桑切斯,达米恩·丹特·韦恩斯,马尔科·桑切斯,关永扬,安德鲁·杰克森,派珀·佩拉博,布赖恩·詹尼斯,叶芳华,罗伯特·米亚诺,BJ·哈里森,雷克哈·莎尔玛,彼特·科拉米斯,Klodyne Rodney,格伦·恩尼斯,克里斯·高瑟,塞奇·布洛克班克,瑞秋·斯派克特,吉姆·拜恩尼斯,布瑞恩·德拉蒙德,瓦妮莎·托马西诺,大卫·帕拉菲,阿丽克西斯·卢埃林,Holly Eglington,卡佳范瑞西故事发生在一个虚构的城市——埃迪森市中，在那里，执政者和执法者相互勾结，黑恶势力层出不穷，金钱和权利的交易每天都在发生，这些黑暗和腐败犹如一只巨大而厚重的手掌，控制了整个城市和生活在其中的人们。波拉克（贾斯汀·丁伯莱克 Justin Timberlake 饰）是一名尚且保留了赤子之心的记者，精明的他很快就察觉到了发生在这个城市中的种种罪恶，心怀远大理想的他决定将它们一一揭发。 波拉克的举动很快就惹恼了他正在调查的对象们，他们决定灭掉这个不知好歹的小子。在危险之中，波拉克只得求助于自己的老板艾斯佛（摩根·弗里曼 Morgan Freeman 饰）——一个良心尚存的老记者，在艾斯佛和其好友华勒斯检察官（凯文·史派西 Kevin Spacey 饰）的帮助下，波拉克正在一步一步的接近真相。
卫兵的呐喊
米娅·麦肯纳·布鲁斯,马特·狄龙,伊萨赫·德·班克尔故事发生在塞内加尔的大型建筑工地附近，晚上工人们与一名男子发生了冲突，男子的哥哥在工地因工伤丧生。
坏血1986
米歇尔·皮科利,朱丽叶·比诺什,德尼·拉旺,汉斯·迈尔,朱莉·德尔佩,卡罗尔·布鲁克斯,乌戈·普拉特,米雷耶·佩里耶,塞尔日·雷吉亚尼,弗朗索瓦·尼格雷特这部电影将写实与科幻合而为一。一种传染性性疾病STBO正在国内蔓延，它通过没有感情的性活动传播。 小偷马克和汉斯欠一个美国女人一笔钱，她限他们两个星期还。他们打算去偷一种专治类似艾滋病的药剂，然后高价转卖。于是他们雇来了亚力克斯，一个正在跟16岁女友丽莎分手的青年。但在计划实施之前，他迷恋上了马克的情妇安娜。丽莎却并没有死心，在他们动手那天她来到了巴黎，使得事情更加复杂化…… 当然，这是个悲剧。Love that burns fast but lasts forever. 这是导演Leos Carax继《男孩遇见女孩》后的第二部作品，继续他对青春和孤独等题材的关注，也就是在此片的五年之后诞生了影史经典之作——《新桥恋人》。
生活如是2025意大利
Virginia Raffaele,迭戈·阿巴坦托诺,Aldo Baglio,Ignazio Mulas当一位年迈的牧羊人成为唯一一个反对房地产开发商在他小小的撒丁岛村庄建造豪华度假村的人时，他开始做大生意。一个关于金钱买不到的东西的感人的失败者故事，配有美丽的风景和明显的意大利情感。
离奇剧院
乌多·基尔,维吉尼亚·纽科姆,卡特里娜 马科尔,艾米莉娅·戈萨姆,维多利亚·莫蕾特,丽莎·贝尔,安德烈·赫尼克,苏珊·安贝赫,哈维·弗里德曼,戴比·露珍,汤姆·萨维尼,卡内赫迪奥·霍恩,琳恩·劳里,杰西卡·瑞默斯,艾丽莎·道林,杰夫·迪伦·格雷厄姆,达蒙·帕卡德,惠特尼·穆尔,Alex Ivanovici,Amanda Marquardt,Rachelle Glait,Erin Marie Hogan,Jeremy Gladen,Lindsay Goranson,James Gill少女艾诺拉·佩妮（Virginia Newcomb 饰）偶然在深夜进入一家破败的歌剧院，乖张吊诡的演员为她表演了六个异乎寻常的故事：《蟾蜍之母》一对美国夫妇来到法国某偏远山镇旅行，在这里结识了一个诡异的老婆婆；《我爱你》德国柏林，走到尽头的婚姻，歇斯底里的偏执男人让他的妻子再也无法忍受着无处不在的狂爱；《梦遗》饱受邪淫梦境困扰的男人，在梦与现实的夹缝中迷失；《事故》真实的死亡对于一个小女孩来说也许过于费解与残酷，然而这就是它真实的原因；《记忆收集》她杀了求死的女人们，她看见并拥有了她们的记忆；《甜食》一度沉浸在甜食和热恋中的情侣，不知不觉走到了情感尽头。
黑煞女2
丘普朗·阿瑞昆,杰克林·坤万齐提柴★ 強勢登頂泰國首周票房冠軍，終結【阿凡達：火與燼】四連霸紀錄！ ★ 挑戰感官極限的超尺度降頭獵殺，刷新「虐胃觀影」恐怖天花板！ ★ 徒手撕下顎、精蟲灌腦髓、滾鉛水灌喉，直擊咒術酷刑血腥實錄！ ★ 最生猛的南洋降頭禁術，殘虐指數破表，恐懼無處可逃！ 劇情簡介 血腥降頭獵殺，一個都別想跑… 出生自帶詛咒的潘娜（丘普朗阿瑞昆 飾）順利考取大學，原以為能埋葬過去、重啟新生。怎知她和好友小敏（萍瑪達柴莎索恩 飾）竟在新生活動後，慘遭六名學長姐殘酷霸凌。在導師制止後，對方反而變本加厲，私下求助降頭師施以致命巫術，卻意外喚醒潛藏在潘娜體內的「三眼神」邪力。獵人與獵物身份瞬間反轉。覺醒後的潘娜，信手捻來皆是索命降術，以牙還牙展開血色清算。一場終極獵殺就此引爆，誰也別想活著離開這場血色祭典！
等待方舟
耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.