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互帮互助
黑木华,中村苍,藤间爽子,安藤玉惠,近藤华,白鸟玉季,吉冈睦雄,松本利夫,升毅,西田尚美,田口智朗,风吹淳,草笛光子本片改编自同名小说，讲述了主人公·梓失去了无可替代的挚友而止步不前，她不断给已故好友发送信息，由此开始，意想不到的邂逅接连发生，形成了一个巨大的圈子…
别怕，是我
凯拉·赞德尔十五年前，莉茲的前男友德魯因搶劫銀行而被捕。如今，德魯突然出現在她家後院，請求她讓自己暫時藏匿。莉茲竟答應幫忙，但前提是要她老公不在家。
悬案密码3：信仰的阴谋
尼古拉·雷·卡斯,法瑞斯·法瑞斯,帕尔·斯维尔·哈根,雅各布·豪伯格·罗曼,阿曼达·科林,约翰·路易斯·施密特,雅各布·奥福特布罗,索伦·比尔马克,迈克尔·布罗斯楚普,莫滕·基尔斯果,洛特·安德森《悬案密码》系列的第三部：6年前，一只在海上漂流的瓶子在苏格兰被打捞上岸，然而里面的求救信却被视为不祥之物，直到一位调查人员无意中看出了信件开头用丹麦文写着：救命！随着卡尔和两名下属的破解，他们发现署名“保罗”的作者不仅确有其人，而且在写下瓶中信后便下落不明...... 为何少年的家人不曾追究他的行踪？难道他在多年前便已遭遇不测？正当调查陷入胶着，一起离奇车祸让原本天衣无缝的邪恶罪行露出破绽，串起所有线索的卡尔这才明白，自己面对的并不单是一桩陈年旧案，而是过去十几年来，许多破碎家庭的绝望呼救…
飞虎神爪
程琢,孙文雪,刘泽宇,任宇,刘宇飞虎门郑坤奉命押送赈灾粮，他押送回来的赈灾粮全是沙石，郑坤锒铛入狱，几经周折，郑坤查出调换赈灾粮的罪魁祸首，郑坤与州府捕快左绫联手将贪污赈灾粮的人一干人等绳之以法，将他们一网打尽
记忆裂痕：血亲幻影
里罗·得万托,法拉迪娜·穆夫提,冯尼·安格莱尼,Jordan Omar,Nova Eliza,Gambit Saifullah,Tony Merle,Sultan Hamonangan,Henry Manampiring国际知名微缩画家Alif遭遇严重车祸后失忆，一名老妇人突然现身，自称是他失散18年的母亲。Alif在拼凑破碎记忆的过程中，逐渐发现母亲的身份疑点重重，同时揭开了自己童年、家族与马林・昆当传说背后的黑暗真相。他必须在身份崩塌与创伤反噬中，直面自己的过去，终结这场由传说编织的悬疑迷局。
好像一切都很糟糕
Melis Sevinç,Melisa Bostancıoğlu,İbrahim Arıcı,Mert Can SevimliAyşe, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster