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索菲·撒切尔,杰克·奎德,卢卡斯·盖奇,梅根·苏丽,哈维·吉兰,鲁伯特·弗兰德,雅布其·杨-怀特,马克·门查卡,伍迪·傅,Matt McCarthy,Ashley Lambert数码宝贝大电影五：冒险者的战斗
野泽雅子,津村真琴,多田葵,山口真弓,今井由香,折笠富美子,金田朋子,金光宣明,松谷彼哉,金子由之,永野爱,三石琴乃,小野健一,佐伯志,松尾银三,津久井教生,坂本千夏,小杉十郎太雷霆营救
安志杰,Vanessa,罗伟,赵儒嫣,Alleyn,柯恬柔,Hamid,高明燊甜蜜恰好也三十
赵文琪,杨悦心,陈德容,钟骏胜,黄柏钧,纪宇电探魔导师
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夏洛特·霍普,朱利安·山德斯,菲利普·克里斯托弗,Alexis Rodney,Kate Nichols,皮帕·温斯洛,Aoibhe O'Flanagan,Oliver Savell,Salomé Chandler守骨异兽
约翰·瑞斯-戴维斯,萨拉·亚历山德拉·马克斯,Louis James,蒂芙妮·汉纳姆·丹尼尔斯,索菲亚·埃莱尼,Danny Rahim,泰勒·温奇科姆,Sarah T. Cohen,Lee Baker,Marco Antonio Clifton,安吉拉·迪克森,Wayne Gordon,索菲·兰金炸掉银行经理
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瓦莱丽亚·布鲁尼·泰德斯基,诺米·梅兰特,文森佐·内莫拉托,范尼·伍罗奇纳,福斯托·鲁索·阿莱西,马切罗·马扎雷拉,文森佐·皮罗塔,费德里科·帕西菲奇,选填,Iacopo Fanelli,Gaja Masciale,文琴察·莫迪卡,米莫·博雷利,Edoardo Sorgente,萨维诺·帕帕雷拉,Vincenzo Iantorno好孩子2025
许瑞奇,周智慧,洪慧芳,路斯明,吴清樑,刘怡伶幽闭空间
杰森·帕特里克,路易莎·克劳瑟,马克·马戈利斯影视排行
暗魔怨
彼得·费辛利,索菲娅·迈尔斯,娜塔莉亚·罗蒙丝,卡罗利娜·格拉,胡安·巴勃罗·甘博亚大卫（彼得·费辛利 Peter Facinelli 饰）的妻子英年早逝，之后他遇见了名为劳伦（索菲亚·迈尔斯 Sophia Myles 饰）的女子，两人坠入了情网，劳伦让大卫重新找到了人生的希望和目标。大卫和前妻生养了一个女儿取名吉尔（娜塔莉亚·罗蒙丝 Nathalia Ramos 饰），正直叛逆期的她独自居住在哥伦比亚。 某日，大卫和劳伦踏上前往哥伦比亚的旅途探望女儿，可在途中竟然遭遇了车祸。两人在暴雨之中找到了一间破旧的旅馆栖身，却在无意之中听见旅馆的地下室里传来年轻女孩的呼救之声。正义和道德驱使大卫决定解救这名可怜的女孩，却不知道他的这一行为将在场的所有人推入了万劫不复的深渊之中。
等待方舟
耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
协议
贝伦·鲁埃达,米蕾娅·奥利奥,达里奥·格兰迪内蒂,安东尼奥·杜兰·莫里斯,乔斯因·本格特伊,卡鲁斯·法布雷加,瓦内萨·布查卡,塞巴斯蒂安·蒙特奇诺莫妮卡有個正值青春期的女兒卡拉，但一天早上卡拉卻因一場奇怪的事件而失蹤，幾個小時後被人發現時已意識不清，醫生更宣告她剩下的時間不多。莫妮卡無法接受自己的女兒已無藥可救，在極度絕望之下，參與了一場暗黑儀式，並跟一名神秘的男人訂下契約，以挽救卡拉的性命。隔天卡拉突然恢復活力，連醫生也無法解釋原因，但莫妮卡的夢魘才正要開始。
蒙特利尔，我的美人
陈冲,夏洛特·奥宾,埃米莉·科泰,John Xu,Pei Yao Xu,Anzhe Angelo Zhang53岁华裔移民凤霞（陈冲 饰）在加拿大蒙特利尔已经生活了大半辈子，人生被“妻子、母亲、移民”的身份牢牢捆绑：一段早已失去爱意的婚姻、需要照料的家庭、中西文化的夹缝，让她活成了别人期待的样子，也压抑了真实的自我。直到她遇见充满活力的年轻魁北克女孩卡米尔（夏洛特·奥宾 饰），一段意外的亲密关系唤醒了她埋藏多年的欲望与渴望。凤霞被迫直面内心的渴望，在家庭责任与自我解放、传统束缚与自由人生之间，做出艰难却决绝的选择，完成一场迟来的中年觉醒与自我救赎。