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李炳宪,朴叙俊,朴宝英,金善映,朴持厚,罗哲,金度允,南镇福,金学善,朴周勇哈文赫特死亡公寓
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伊莎贝拉·罗西里尼,凯尔·麦克拉克丹尼斯·霍珀,劳拉·邓恩,霍普·兰格当家好女婿
Adrian Vazquez,Jero Medina,Verónica Bravo侵略机器
约书亚·迪亚兹,阿兰·里奇森,丹尼斯·奎德,杰·科特尼,埃塞·莫拉雷斯,杰克·派顿,丹尼尔·韦伯,凯南·朗斯代尔,大卫·汤姆林森,史蒂芬·詹姆士,乔伊·维埃拉,杰克·莱恩,克里斯托弗·卡比,詹姆斯·博福特,Matt Testro,Victory Ndukwe,Blake Richardson,Jacob Hohua,Heather Burridge,Will Curtin影视排行
嗜血之夜
Nate Dushku,Samantha Facchi,Danielle Harris一群十几岁的少年庆祝一个本地连环杀人犯的忌日，突然发现他们自己与这个困扰的城市传说的现实面对面。
突破二十五马赫
凯特·卡普肖,莉·汤普森,凯利·普雷斯顿,拉里·B·斯科特,华金·菲尼克斯,泰特·多诺万,汤姆·斯凯里特,巴里·普赖默斯描述一群青少年学生参加美国太空总署主办的太空夏令营，亲身体验太空登月的操作环境。不料在一次意外中，他们乘坐的太空舱竟然真地发射升空，几个年轻人登时六神无主，幸好有一个机器人留在舱中协助他们化险为夷。在众多的太空科幻片中，哈瑞．温勒导演本片较著重太空知识的传递而非眩目迷人的特效。外景在NASA 实地拍摄，有些地方颇令人大开眼界。凯特．卡普肖饰演女教官、利．汤普森、凯利．普雷斯顿饰演太空历险的学生，但最讨人喜欢的还是那个造型和表演都相当有趣的机器人。
暗流低语
尼娜·凯莉,亚当·迪马科,Michèle Duquet,基娜·巴斯蒂达斯,容海峰,Ryan Turner,阿里·米伦,Marisol D'Andrea,Austin Tuason,Seled Calderon,Bianca Nugara,Jayda Woods,Sarah Beaudin,Christina Notto伊薇（尼娜·凯莉 Nina Kiri 饰）肩负着照顾临终母亲的重任，她渴望逃离支离破碎的现实带来的孤独感。如今，她住在一间堆满感伤纪念品和回忆的房子里，理智和生活秩序都维系在她制作的超自然播客节目《底音》上。虽然她通常对搭档贾斯汀发给她的那些令人毛骨悚然的音频文件持怀疑态度，但最新收到的音频却让她感到不同寻常。一对年轻备孕夫妇的十段从未公开录音逐一揭晓，每一段都比上一段更加不祥。随着伊薇将这些录音与她目前的遭遇进行对比，隐藏的信息逐渐显现，将她推向疯狂的边缘……
等待方舟
耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.