花蕊纹身 花芯の刺青 熟れた壺 (1976)

4.1 播放:70万 更新:2026-05-23

  歌舞伎家庭出身的吉野美智代(谷ナオミ 饰)自由生活在传统、古朴的环境氛围之中,她早年分外迷恋《京鹿子娘道成寺》的主角尾形珠三郎(花柳幻舟 饰)。后来她成为江户千代之人形师的续弦,婚后仅仅半年,丈夫便一命归西。美智代自此守身如玉,独自抚养继女宇子(北川たか子 饰),并且继承了丈夫人形制作的手艺。十多年过去,宇子已经出落成漂亮的大姑娘,她和继母亲密无间,没有任何隔阂。   一个意外影响了母女俩的感情。某批发商曾凌辱美智子,当他再次欲行轻薄时偏巧被宇子撞见。宇子误以为母亲将行改嫁,生气地跑出屋子,结果被一位俊朗青年撞伤。这个名叫秀夫(中丸信 饰)的青年正是珠三郎的儿子。美智代沉寂多年的爱火被秀夫重新点燃,她为此在身上刺下《娘道成寺》的图案……

即刻观影

剧情赏析

  歌舞伎家庭出身的吉野美智代(谷ナオミ 饰)自由生活在传统、古朴的环境氛围之中,她早年分外迷恋《京鹿子娘道成寺》的主角尾形珠三郎(花柳幻舟 饰)。后来她成为江户千代之人形师的续弦,婚后仅仅半年,丈夫便一命归西。美智代自此守身如玉,独自抚养继女宇子(北川たか子 饰),并且继承了丈夫人形制作的手艺。十多年过去,宇子已经出落成漂亮的大姑娘,她和继母亲密无间,没有任何隔阂。   一个意外影响了母女俩的感情。某批发商曾凌辱美智子,当他再次欲行轻薄时偏巧被宇子撞见。宇子误以为母亲将行改嫁,生气地跑出屋子,结果被一位俊朗青年撞伤。这个名叫秀夫(中丸信 饰)的青年正是珠三郎的儿子。美智代沉寂多年的爱火被秀夫重新点燃,她为此在身上刺下《娘道成寺》的图案……

编辑推荐

劫车王

佐伊·马奇尔,弗兰克·盖思堂彼得,Bosh,Chilla,Alassane Diong,Disiz La Peste,Hafid F. Benamar,科林·贝茨,米兰妮·让帕诺米,Zoé Diowo-Ceccaldi,Florence Fauquet,乔纳森·德缪杰,阿利克斯·贝纳泽什,帕斯卡尔·艾尔索,Eva Windstein,Agnès Godey,Erwan Szejnok,Azad Boutella,Wendy Grenier,Noémie Desbordes

  白天,他们是隐形的——豪华酒店的服务员、女招待和调酒师。到了晚上,他们就是劫车者,一群熟练的司机,在路上追踪和抢劫富有的客户。当他们计划最终的抢劫时,酒店经理雇佣了一名无情的杀手,不惜一切代价阻止他们。随着危险的临近,诺拉、佐伊、史蒂夫和普雷斯顿能取得迄今为止最大的成绩吗?

等待方舟

耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔

  Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.  Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?  n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.  What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.  On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.  One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.  Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

阴阳眼见子2025

原菜乃华,久间田琳加,奈叶,山下幸辉,堀田茜,吉井怜,高冈早纪,京本大我,泷藤贤一

  改编自泉朝树创作的同名畅销漫画,讲述女高中生突然发现自己能看到鬼魂,她选择假装看不见,即使同学被鬼魂缠身,她也视而不见。她能通过这种方法克服这场危机吗?

爱情鹤顶红

蔡德姮,陈卓

故事讲述了经营一家皮肤管理中心32岁大龄剩女尤可一,受到感情创伤后,在妈妈的催促下频繁相亲且不断失败,导致其妈妈为此气病。不料公司又发生重大事故需要重金赔偿,为此尤可一经受着家庭,事业的双重考验。所幸女主凭着乐观,不认输的精神终得爱情、事业双丰收的结局。影片并以此呼吁社会给予剩女这个群体理解与尊重。

猎杀杰西卡·布洛克

Danica De La Rey Jones,塔梅尔·伯贾克,安东尼·奥塞耶姆,Vaughn Lucas

  A retired special forces agent must battle a group of vengeful psychopaths and the African wilderness to get back to her daughter.

安娜和世界末日

艾拉·亨特,马尔科姆·卡明,莎拉·斯维尔,克里斯托弗·莱沃,玛里·休,本·威金斯,马克·本顿,保罗·凯耶,肖恩·康纳,约翰·温切斯特,艾拉·贾维斯,杰基·伯德

  一部混杂音乐剧和丧尸电影的喜剧片,这部僵尸歌舞片的框架基于2010年英国电影学院奖获奖短片《僵尸音乐剧》(暂译)(ZombieMusical),讲述了一大波僵尸穷追猛打一撮人,他们边唱边打,不断求生的故事。电影取景地为苏格兰,由艾拉·亨特出演安娜,马克·本顿饰演安娜的父亲,保罗·凯耶出演反派。