在线播放
剧情简介
艾旦影视
同类好片
卡萨诺瓦1976
唐纳德·萨瑟兰,蒂娜·奥蒙特,Cicely Browne,卡门·斯卡尔佩特,Clara Algranti,Daniela Gatti,玛格瑞斯·克里蒙地,奥林匹娅·卡尔立斯,Silvana Fusacchia,切斯蒂·摩根,Leda Lojodice,Sandra Elaine Allen,Clarissa Mary Roll,丹尼尔·埃米尔福克,Luigi Zerbinati,Hans van de Hoek,杜德里·沙顿,约翰·卡尔森,雷吉·纳尔德,芭芭拉·斯蒂尔,弗朗切斯科·德罗萨,Harold I大怪兽空中战 加美拉对混沌鸟
笠原玲子,上田吉二郎,本乡功次郎一线希望
扎克瑞·莱维,乔什·杜哈明,昆汀·普莱尔,泰伦斯·特雷尔,马歇尔·库克,乔贝兹·威廉姆斯,弗罗瑞安娜·利马,杰西卡·布莱克莫尔,普里亚·贾恩,詹姆斯·马丁·凯利,施特菲·塔凯,Armida Lopez,里森·亚历山大,Chris Dingli,Davina Reeves,Edward De Gaetano,Tucker Sparkman,杰·佩斯,George C. Owens替补悍警
鲍勃·奥登科克,琳娜·海蒂,布伦丹·弗莱彻,亨利·温克勒,布莱恩·川上,莎莫·H·豪威尔,德里克·巴恩斯,杰西卡·麦克劳德,Dan De Jaeger,Reena Jolly,劳伦·科克伦,大卫·劳伦斯·布朗,卡森·纳特拉斯,彼得·新田,辻将太,辛妮·比斯顿,比利·麦克莱伦,瑞恩·艾伦,艾伦·默克,Takahiro Inoue人体乱码
Michael Eklund,Karoline Herfurth,Tómas Lemarquis总统的蛋糕
Banin Ahmad Nayef,Sajad Mohamad Qasem,Waheed Thabet Khreibat,Rahim AlHaj人气佳作
九龙大众浪漫真人版
吉冈里帆,水上恒司,龙星凉,柳俊太郎,梅泽美波,花濑琴音 ,フィガロ・ツェン,山中崇,サヘル・ローズ,关口曼迪,岛田久作音乐之声
朱莉·安德鲁斯,克里斯托弗·普卢默,埃琳诺·帕克,理查德·海顿,佩吉·伍德,查尔敏·卡尔,希瑟·孟席斯-尤里克,尼古拉斯·哈蒙德,杜安·蔡斯,安吉拉·卡特怀特,黛比·特纳,基姆·卡拉思,安娜·李,波希娅·纳尔逊,本·怀特,丹尼尔·特鲁希特,诺玛·威登,吉尔克里斯特·斯图尔特,马妮·尼克松,埃瓦德妮·贝克,多丽丝·劳埃德,格特鲁德·阿斯特,弗兰克·贝克,史蒂夫·卡鲁瑟斯,山姆·哈里斯,多罗西·吉金斯,利奥达·理查德斯,杰弗里·塞尔,伯纳德·赛尔,诺尔曼·斯蒂凡斯,伯特史蒂文斯,玛丽亚·冯·特拉普泥娃娃
杨祐宁,蔡思韵,张轩睿,周采诗,郭雪芙,陈为民,李冠毅,高山峰,黄建群地平线2024
凯文·科斯特纳,西耶娜·米勒,萨姆·沃辛顿,吉娜·马隆,欧文·克劳肖,塔坦卡·米恩斯,艾拉·亨特,蒂姆·金尼,丹尼·赫斯顿,柯林·坎宁安,斯科特·黑兹,汤姆·佩恩,阿比·丽,迈克尔·鲁克,威尔·帕顿,乔治亚·麦克菲尔,道格拉斯·史密斯,卢克·威尔逊,伊莎贝拉·弗尔曼,杰米·坎贝尔·鲍尔,亚历杭德罗·埃达,Wasé Winyan Chief,迈克尔·安格拉诺,安古斯·麦克菲登,乔恩·比弗斯,亚历克斯·尼布理,艾蒂安·凯利奇,Amos Jason Charging Cloud,博迪·奥库马·林顿,格雷戈里·克导演精选
恋研！～我们变成动画啦！～
故事发生在私立贵族学校藤崎女子中学内，在这里就读的，都是出生名门的千金大小姐。真木夏绪（赤崎千夏 配音）是学生会的会长，在校园里有着极高的人气和无上的名望，甚至还有着专属的粉丝团。就是这样一个完美的女生，某一天，她竟然被个性大大咧咧有如男孩子一般的仓桥莉子（沼仓爱美 配音）撞破了自己发花痴的场面。 原来，在学生会的办公室里，真木夏绪最常做的事并非处理文件，而是不眠不休的研究如何进行恋爱，因为撞破了这一秘密，丽子被迫成为了学生会会长助理，也因此结识了同样对恋爱十分着迷，但总是因为过于害羞而躲起来的幽灵书记棚桥铃音（水濑祈 配音）。
火葬2025
医生曾严禁丹妮怀孕，她却意外诞下双胞胎，命运的转折让母子三人接连离世。在柬埔寨传统火葬仪式筹备期间，殡葬师与僧侣按习俗处理后事，却接连遭遇毛骨悚然的怪事。停尸间的异响、诵经时的异常干扰、遗体旁的诡异痕迹不断出现，亡者的怨念在火葬场蔓延，原本肃穆的超度仪式，逐渐沦为被恐惧吞噬的死亡现场。
等待方舟
Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.