白衣天使：美臀不设防
繪里（櫻木優希音 飾）一個人住在已故父親正三留下來的房子裡，擁有護士資格的她成功應徵上藤村醫院，即將展開新工作。某天當她一個人待在屋子裡，對著父親的遺照說話時，玄關突然傳來了聲響，她前去察看時，只看到一把花束。藤村醫院的院長光夫是一位成熟又風度翩翩的男人，繪里對他抱有好感，甚至在工作時腦子裡不禁會冒出一些限制級的畫面。這天當她下班回家時，赫然發現離家出走許久的姐姐良繪竟然回家了。原來良繪被不倫的對象拋棄，只好回到老家來，對於一向任性的姊姊，繪里除了嘆氣沒有其他方法。就這樣日子一天天的過去，某日繪里騎車去買便當時，意外撞上了亞弓，而亞弓正是繪里在高中時期的姊妹淘，而這段重逢會掀起什麼樣的風波呢…？
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剧情提要
繪里（櫻木優希音 飾）一個人住在已故父親正三留下來的房子裡，擁有護士資格的她成功應徵上藤村醫院，即將展開新工作。某天當她一個人待在屋子裡，對著父親的遺照說話時，玄關突然傳來了聲響，她前去察看時，只看到一把花束。藤村醫院的院長光夫是一位成熟又風度翩翩的男人，繪里對他抱有好感，甚至在工作時腦子裡不禁會冒出一些限制級的畫面。這天當她下班回家時，赫然發現離家出走許久的姐姐良繪竟然回家了。原來良繪被不倫的對象拋棄，只好回到老家來，對於一向任性的姊姊，繪里除了嘆氣沒有其他方法。就這樣日子一天天的過去，某日繪里騎車去買便當時，意外撞上了亞弓，而亞弓正是繪里在高中時期的姊妹淘，而這段重逢會掀起什麼樣的風波呢…？
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Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.