高跟鞋杀姬
As暂无内容a暂无内容string暂无内容of暂无内容brutal暂无内容murders暂无内容plague暂无内容the暂无内容city,暂无内容two暂无内容undercover暂无内容detectives暂无内容race暂无内容to暂无内容solve暂无内容the暂无内容mystery暂无内容and暂无内容unmask暂无内容the暂无内容killer.暂无内容Their暂无内容only暂无内容clues:暂无内容each暂无内容victim暂无内容is暂无内容a暂无内容former暂无内容cop暂无内容and暂无内容each暂无内容has暂无内容a暂无内容blood-red暂无内容letter暂无内容painted暂无内容on暂无内容their暂无内容body.暂无内容How暂无内容many暂无内容will暂无内容have暂无内容to暂无内容die暂无内容before暂无内容the暂无内容killer暂无内容spells暂无内容out暂无内容their暂无内容message暂无内容in暂无内容blood?
在线播放
剧情简介
As暂无内容a暂无内容string暂无内容of暂无内容brutal暂无内容murders暂无内容plague暂无内容the暂无内容city,暂无内容two暂无内容undercover暂无内容detectives暂无内容race暂无内容to暂无内容solve暂无内容the暂无内容mystery暂无内容and暂无内容unmask暂无内容the暂无内容killer.暂无内容Their暂无内容only暂无内容clues:暂无内容each暂无内容victim暂无内容is暂无内容a暂无内容former暂无内容cop暂无内容and暂无内容each暂无内容has暂无内容a暂无内容blood-red暂无内容letter暂无内容painted暂无内容on暂无内容their暂无内容body.暂无内容How暂无内容many暂无内容will暂无内容have暂无内容to暂无内容die暂无内容before暂无内容the暂无内容killer暂无内容spells暂无内容out暂无内容their暂无内容message暂无内容in暂无内容blood?
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恶梦侦相
Follows a man whose pregnant wife gets murdered and despite the police investigation, the truth is unknown. He tries to find what happened, which confronts him with situations of suspense and terror.
好像一切都很糟糕
Ayşe, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster
不过是上班
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